A radically close framing
No path, building or horizon allows the scene to be located. This tightening requires observing the differences in curvature, weight and maturity between the ears.
2 · Exemple de la sélection
La photo principale correspond à la couleur de cadre choisie. Chaque couleur est illustrée par une œuvre d’exemple différente.
Préparation de la sélection…
Ces médias montrent uniquement la réalisation, le support, la texture et les finitions. L’œuvre commandée reste celle affichée dans les blocs bleus.
3 · Mise en situation
Reproduction d’art premium
Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.
Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
Produit numérique uniquement : aucun tableau ni cadre physique n’est expédié.
Après votre commande, les trois fichiers sont contrôlés puis envoyés manuellement par e-mail.
Comprendre les formats
Vincent van Gogh · June 1890 · Auvers-sur-Oise, France
Van Gogh approaches so close to the field that the horizon disappears. The long blue-green leaves, the still tender ears of corn and a few wild flowers fill the entire height of the canvas.
Look at the work
The stems rise from the lower edge and cross like a network. Some remain straight, others bend under the ears; their banded leaves describe large curves that prevent the surface from becoming regular.
The range is deliberately tightened around greens, blues and pale yellows. A cornflower in the upper part and a pink bindweed at the bottom right discreetly interrupt this vegetal sea.
By removing the distant landscape, Van Gogh transforms a fragment of field into an immersive experience: the gaze is at the same height as the stems agitated by the wind.
Composition, touch and color
The Van Gogh Museum preserves this painting under inventory s0088V1962. Painted in Auvers in June 1890, it bears the references F767/JH2034.
No path, building or horizon allows the scene to be located. This tightening requires observing the differences in curvature, weight and maturity between the ears.
The long S-leaves, sloping stems and vertical touches produce continuous movement. Van Gogh wanted the colors to almost make the soft rustling of wheat heard.
Blueberry and pink bindweed are small accents but they structure the depth. They also give the scale of the tall stems that surround them.
Documented benchmarks
Ears of Wheat is an oil on canvas measuring 64 × 48 cm, painted in Auvers-sur-Oise in June 1890. The work is recorded s0088V1962, F767 and JH2034.
The museum points out that Van Gogh had to work among the wheat. His point of view is not that of a walker in front of a panorama, but that of an observer enveloped by plants.
Van Gogh details the blue-green stems, ribbon leaves, yellowing spikes and pink reflections in Gauguin. He associates this colorful accord with the rustling of grain downwind.
Remaining with Theo then with the Van Gogh family, the painting was transferred to the Vincent van Gogh Foundation in 1962 and is today kept in Amsterdam.
Your reproduction
The copy must preserve the framing without horizon, the different movements of the leaves, the values very close to green and the two small flowers which punctuate the composition.
| Title | Ears of wheat |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | June 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 64 × 48 cm |
| Inventory | s0088V1962· F767· JH2034 |
| Conservation | Van Gogh Museum, Amsterdam |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The vertical format is suitable for an entrance, desk or narrow wall. Gray greens, pale yellows and small blue notes match light oak, linen and cream walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The official image of 5,579 × 7,619 px has been converted into a real WebP of 2,197 × 3,000 px, without artificial cropping or enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
Compare the finishes
Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
Your selected artwork
Preview only. Your three files are prepared after purchase.
Files only · no physical delivery
Receive your selected artwork as three high-resolution JPG files, prepared to suit its orientation. Use them for printing or displaying the artwork on a screen.
Choose digital if you want to organise your own printing or use the artwork on a screen.
Same artist
Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.