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Navires sur la Seine à Rouen W210 par Claude Monet, National Gallery of Art

Ships on the Seine at Rouen W210 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · The port of Rouen in 1872 -1873 · National Gallery of Art

Ships on the Seine at Rouen W210hand painted reproduction

Two large ships at anchor raise their masts in front of the bell towers of Rouen. Their dark hulls and cream sails are reflected in a light blue Seine, while the hills and the port fade into the air: Monet gives a precise maritime scene the mobility of a luminous impression.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Ships on the Seine at Rouen W210 - Claude Monet - full view
Ships on the Seine at Rouen W210Claude Monet · 1872 -1873
1872 - 1873Dating
37.7 × 46 cmDimensions of the original
Oil on canvasOriginal technique
1970.17.43 · Wildenstein 210Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two silhouettes of ships between the city and the sky

The first building advances towards the viewer from the left. Its black hull, marked with an orange anchor, carries a light sail whose triangular planes stand out against the blue. A second ship, placed further to the right, repeats this pattern on a reduced scale and opens the depth.

On the opposite bank, the spiers and towers of Rouen appear on the left, then a row of trees and small boats leads towards the port. The reflections lengthen the hulls without duplicating them exactly: the horizontal touches of the water break the masts and mix blue, green, ivory and ocher.

The ships are massive, but the water and sky make them almost mobile: each solid shape extends into vibrant color.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Two ships to measure the distance

The difference in scale between the two hulls is enough to create a clear depth. However, the high masts connect the two planes in the same vertical frame.

02

The city as a discreet landmark

The buildings of Rouen are not architecturally detailed. Their silhouettes locate the port without distracting the attention of the boats and the light.

03

Reflections without symmetry

Under each ship, the shapes are stretched then interrupted by the chop. Monet retains the color correspondence while freely varying the gesture.

Reference image

Read this specific version

The high definition reference comes from the open image from the National Gallery of Art. It corresponds to the 1970.17.43 inventory and allows you to read orange anchors, rigging, Rouen bell towers and fragmentation of reflections.

Composition01

An almost square balance

The compact format concentrates the ships in the center, while the sky and water share comparable surfaces.

Color02

Black people crossed with color

The hulls combine blue, brown and deep green; they thus maintain volume against the cream sails and the luminous sky.

Matter03

A sandstone painted with economy

A few dark lines are enough to evoke cables and masts. Their relative precision contrasts with the more open touches of the landscape.

Documented benchmarks

Three pieces of information specific to this work

The National Gallery of Art documents this oil on canvas under inventory 1970.17.43 and number 210 of the Wildenstein catalog raisonné.

Dating01

1872 - 1873

Monet painted this view of Rouen in the early 1870s, before the Impressionist vocabulary was named in the 1874 exhibition.

Provenance02

Ernest Hoschedé Collection

The painting belongs to the collector Ernest Hoschedé and appears in his Parisian sale of June 5, 1878, under number 48.

Collection03

Legacy Ailsa Mellon Bruce

Ailsa Mellon Bruce acquired the work in 1955 and then bequeathed it in 1970 to the National Gallery of Art, where she took inventory 1970.17.43.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the difference in scale and position between the two ships.
  • Keep cream sails bright without making them uniformly white.
  • Keep the Rouen bell towers legible but atmospheric on the left bank.
  • Fragment the reflections with distinct horizontal touches of the rigging structure.

Work sheet

Title Ships on the Seine at Rouen W210
Artist Claude Monet (1840 -1926)
Date 1872 - 1873
Original technique Oil on canvas
Dimensions 37.7 × 46 cm
Orientation Horizontal
Conservation National Gallery of Art, Washington, United States
Inventory 1970.17.43 · Wildenstein 210
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Gallery of Art

Presentation in your interior

A palette designed with the room

The light blue, ivory of the sails and deep hulls give this navy a presence that is both fresh and structured. It is suitable for an office, living room or water-facing room; a walnut, patinated black or matte gold frame underlines its compact format.

Ships on the Seine in Rouen W210, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Ships on the Seine at Rouen W210 - Claude Monet
Background 1
Background 2
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70 cm
390 cm

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1

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

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