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Le Bras de Jeufosse, effet de fin d’après-midi de Claude Monet, 1884 – Musée d’art moderne de Gunma, Wildenstein 910
  • Le Bras de Jeufosse, effet de fin d’après-midi de Claude Monet, 1884 – Musée d’art moderne de Gunma, Wildenstein 910
  • Le Bras de Jeufosse, effet de fin d’après-midi de Claude Monet, 1884 – Musée d’art moderne de Gunma, Wildenstein 910
Le Bras de Jeufosse, late afternoon W910 - Claude Monet

Le Bras de Jeufosse, late afternoon W910 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Japonism

Artwork description

Reproduction details

Claude Monet · September 1884 · Jeufosse · W910

Le Bras de Jeufosse, late afternoon W910hand painted reproduction

A calm arm of the Seine reflects the island of Merville, while the late afternoon sun gradually leaves the nearby shore. Monet painted this landscape in September 1884 at Jeufosse, about five kilometers upstream from Giverny. The oil on canvas measures 59.5 × 81 cm and corresponds to Wildenstein 910.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Bras de Jeufosse, late afternoon W910 - Claude Monet - full view
Le Bras de Jeufosse, late afternoon W910Claude Monet · 1884
1884Dating
59.5 × 81 cmDimensions of the original
Oil on canvasOriginal technique
Gunma Prefectural Depot · Wildenstein 910Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The light fades without the landscape coming to a standstill

The water occupies the left half and receives yellow, pink and purple reflections from the bank. On the right, a still luminous carpet of grass leads towards two slender trees, then towards the slope already gained by the shadow. The curve of the shore avoids horizontal separation and brings the gaze into the meander.

The end of the day can be seen mainly in the temperature differences. Yellow greens remain on the grass and some foliage, while the mountain and shadows turn cold purple. Long touches structure the shadow areas; shorter, punctual touches make the water and exposed foliage sparkle.

W910 captures a shift: the sun still lights up the island and the water, but the air, the banks and the slope already announce the evening.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal hidden in the meander

The bank starts from the first right plane, retreats towards the trees then joins the slope. This winding diagonal connects the earth's space to the water and prevents the landscape from dividing into parallel bands.

02

The green-purple contrast

The Gunma Museum highlights the opposition between greens that preserve the memory of summer and violets associated with the colder air of early autumn. Loyalty depends less on an exact green than on its relationship to these purple shadows.

03

A prelude to the series

Monet takes over the same site in Jeufosse in several states of light. This practice, still linked to an outdoor campaign, announces the systematic method of Millstones, Poplars and Cathedrals of the following years.

Reference image

Read this specific version

Only one image is used: the digital reproduction documented by the Gunma Museum and Google Arts & Culture, converted into a real WebP of 1,200 × 889 px at its available resolution, without artificial enlargement.

Composition01

Plans held by light

The dark foreground, the lit island, the trees and then the hill are distinguished by their temperature and intensity. Excessively accentuating the contours would eliminate this atmospheric depth.

Color02

Water made of interrupted reflections

The surface does not copy the bank like a mirror. Horizontal purple, brown and yellow passages mingle with the specific color of the river and must remain slightly discontinuous.

Matter03

A touch adapted to each area

The long traces of the embankment oppose the small punctuations of the foliage and the friction of the water. This change of gesture produces the autonomous rhythm noted in the museum notice.

Documented benchmarks

Three pieces of information specific to this work

The Gunma Museum of Modern Art describes an oil on canvas from 1884, 59.5 × 81 cm, deposited by the prefecture's business office and identified as Jeufosse, the Effect in the Late Afternoon.

Location01

Jeufosse, upstream of Giverny

The site is on the left bank of the Seine, about five kilometers from Giverny. Monet worked there at the beginning of September after a stay on the Normandy coast.

Moment02

A precise late afternoon

The sun still makes the water and the island of Merville shine, while the nearby bank and slope cool. The title refers directly to this passage towards dusk.

Conservation03

Gunma Museum of Modern Art

The work is presented by the museum among its main Western paintings. This is a deposit from Gunma Prefecture, not a painting located in a French collection.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact W910 version painted in Jeufosse
  • The original format of 59.5 × 81 cm
  • The transition from warm green to purple shadows
  • The curve of the bank and the interrupted reflections of the Seine

Work sheet

Title Le Bras de Jeufosse, late afternoon W910
Artist Claude Monet (1840 -1926)
Date 1884
Original technique Oil on canvas
Dimensions 59.5 × 81 cm
Orientation Horizontal
Conservation Gunma Museum of Modern Art, Takasaki, Japan
Inventory Gunma Prefectural Depot · Wildenstein 910
Your reproduction Handmade oil painting on canvas
Consult the official notice - Gunma Museum of Modern Art · Monet notice

Presentation in your interior

A palette designed with the room

Moss greens, mauves and muted yellows are suitable for a quiet room with warm ecru or gray walls. The horizontal format works above a console or headboard; smoked oak and soft lighting prolong the atmosphere at the end of the day.

Le Bras de Jeufosse, late afternoon W910, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Le Bras de Jeufosse, late afternoon W910 - Claude Monet
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Background 2
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70 cm
390 cm

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

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3

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