A curve that leads the gaze
The water's edge starts from the foreground right and bends to the left. This flexible line gives the river its direction and prevents the composition from remaining frontal.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · An arm of the Seine near Vétheuil around 1878 · W482
The Seine describes a clear curve at the foot of a very dark wooded bank. Slender poplars rise towards a pale blue sky covered with clouds, while the water mixes the green reflections of the bank with the whites and blues of the atmosphere. Monet constructs here a landscape without monuments or figures, entirely carried by the meeting of water, trees and sky.

Look at the work
The right bank forms a triangular mass which advances towards the center. Its dense foliage, laid in deep greens and black blue, contrasts with the clear water. The vertical trunks of poplars emerge above this mass and lead the eye towards the light of the sky.
On the left, the river widens and disappears behind the curve. The horizontal touches of the water take on the colors of the sky without erasing the green reflections of the bank. A few warmer accents in the reeds and earth prevent the cold range from becoming uniform.
Depth arises from a simple opposition: a heavy and close shore, clear water moving away, a sky absorbing the contours.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The water's edge starts from the foreground right and bends to the left. This flexible line gives the river its direction and prevents the composition from remaining frontal.
Dark green occupies almost the right half. Its density makes the sky brighter and gives a physical presence to the shore.
Water is neither only blue nor only green. It combines cloudy whites, cold blues, deep greens and some warm earths.
Reference image
The unique reference corresponds to the Wildenstein 482 canvas from the Pérez Simón collection. The public file of 1701 × 1242 px is kept at its native size and converted to WebP without artificial enlargement.
The shore starts from the lower right corner and folds towards the distance. The Seine thus maintains a wide left-hand breath.
Very dark trees stand out against much lighter skies and water. Variations of green and blue then enrich this structure.
Vertical touches on poplars, short impasto in foliage and horizontal passages on water differentiate each material.
Documented benchmarks
This precise version is documented under number 482 of the Wildenstein catalog raisonné and belongs to the Pérez Simón collection.
The title places the motif on an arm of the Seine near Vétheuil, where Monet settled in 1878 and multiplied observations of the river and its banks.
The painting appeared in the exhibition Les Impressionnistes en Privé, organized in Paris from February 13 to July 6, 2014.
She was also presented in Impressionisti segreti at Palazzo Bonaparte, from October 6, 2019 to June 7, 2020.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Arm of the Seine near Vétheuil W482 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | Around 1878 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 80 cm |
| Orientation | Horizontal |
| Conservation | Pérez Simón Collection, Private collection |
| Inventory | Wildenstein 482 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The range of deep greens, light blues and cloudy whites gives a peaceful yet structured presence. A discreet smoked oak, walnut or gold frame is suitable for a living room, office or bedroom.
Custom order
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