Waterloo Bridge, Santa Barbara W1555 - Claude Monet

Waterloo Bridge, Santa Barbara W1555 - Claude Monet

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Waterloo Bridge, Santa Barbara W1555 - Claude Monet

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Waterloo Bridge, Santa Barbara W1555 - Claude Monet
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Waterloo Bridge, Santa Barbara W1555 - Claude Monet

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Claude Monet · 1900 · Santa Barbara Museum of Art · W1555

Waterloo Bridge, Santa Barbara W1555hand painted reproduction

Waterloo Bridge passes through a lilac gray mist above a Thames covered in yellow and pink reflections. The bridge is not drawn by a dark outline: its arches appear thanks to small differences between the blue of the water, the purple of the stone and the golden light.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterloo Bridge, Santa Barbara W1555 - Claude Monet - full view
Waterloo Bridge, Santa Barbara W1555Claude Monet · 1900
1900Dating
65.4 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
1968.20.7 · Wildenstein 1555Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The bridge is revealed in the mist by its arches and their vertical reflections

The deck occupies a narrow strip slightly below the center. On the left, white smoke rises from the bank and reaches the sky. The buildings are reduced to purple verticals; their lack of detail reinforces the atmospheric distance.

In the lower part, the yellow, pink and green touches lengthen horizontally. Two small dark boats serve as points of scale. Under each arch, more vertical reflections descend into the river and prevent the luminous surface from becoming uniform.

Monet retained the structure of Waterloo Bridge while removing almost any line: the bridge held together by a rhythm of cold values placed between powdery skies and golden water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Waterloo Bridge, Santa Barbara W1555 - Claude Monet
01

An industrial silhouette reduced to the essentials

The distant shore is a succession of blue-purple masses and chimneys. Specifying them too much would destroy the impression of distance created by the fog.

02

Arches built without black

The bridge openings remain cold and slightly darker than the deck. Their edges must remain flexible to belong to the same atmosphere as the sky.

03

Water warmer than the sky

The yellows and roses in the foreground capture the light. The small green and brown boats give scale, but their contrast should never dominate the surface of the river.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The fog-absorbed industrial shoreline - detail of Waterloo Bridge, Santa Barbara W1555 - Claude Monet
The industrial shore absorbed by the fogThe left detail shows the white smoke, the purple buildings and the interrupted apron. The shapes are present but remain subordinate to the lilac gray envelope.
The arches and light on the Thames - detail of Waterloo Bridge, Santa Barbara W1555 - Claude Monet
The arches and the light on the ThamesUnder the bridge, the piers and their vertical reflections meet horizontal touches of yellow and pink. A small dark sail measures the width of the river.

The full view measures 1200 × 850 px and the two native cropping 680 × 600 px. No files have been enlarged; all three images correspond to the exact Wildenstein 1555 version and are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Santa Barbara 1968.20.7, Wildenstein 1555

This oil on canvas from 1900 measures 65.4 × 92.7 cm. The Santa Barbara Museum of Art preserves it under number 1968.20.7; it corresponds to number 1555 of the catalog raisonné.

Entrance to the museum02

Legacy of Katharine Dexter McCormick

The work entered the museum through the bequest of Katharine Dexter McCormick, in memory of her husband Stanley McCormick. This provenance precisely distinguishes the Santa Barbara version.

London series03

The pattern observed from the Savoy

Monet took over Waterloo Bridge during his stays in London around 1899 -1901, then completed several paintings in Giverny. Each version isolates a particular state of fog, smoke and light on the Thames.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version Santa Barbara 1968.20.7, W1555
  • The original format of 65.4 × 92.7 cm
  • Readable arches without black outline
  • The contrast between lilac gray sky and pinkish yellow water

Work sheet

Title Waterloo Bridge, Santa Barbara W1555
Artist Claude Monet (1840 -1926)
Date 1900
Original technique Oil on canvas
Dimensions 65.4 × 92.7 cm
Orientation Horizontal
Conservation Santa Barbara Museum of Art, Santa Barbara, United States
Inventory 1968.20.7 · Wildenstein 1555
Your reproduction Handmade oil painting on canvas
Consult the official notice - Santa Barbara Museum of Art

Presentation in your interior

A palette designed with the room

Pearl gray, lilac, smoky blue and golden yellow make up a soft, urban palette. This horizontal reproduction is suitable above a sofa, sideboard or desk, on an ivory, blue gray or pale mauve wall.

Waterloo Bridge, Santa Barbara W1555, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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