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The Waterloo Bridge, pink effect W1583 - Claude Monet

The Waterloo Bridge, pink effect W1583 - Claude Monet

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The Waterloo Bridge, pink effect W1583 - Claude Monet

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The Waterloo Bridge, pink effect W1583 - Claude Monet
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The Waterloo Bridge, pink effect W1583 - Claude Monet

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Claude Monet · 1904 · Washington 1983.1.28 · W1583

The Waterloo Bridge, pink effect W1583hand painted reproduction

Waterloo Bridge passes through an atmosphere of aquamarine, turquoise and pink. Its apricot-colored arches are reflected in the Thames, where the same tones mingle in broad touches. Preserved in Washington under the 1983.1.28 inventory, this version is Wildenstein 1583.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Waterloo Bridge, pink effect W1583 - Claude Monet - full view
The Waterloo Bridge, pink effect W1583Claude Monet · 1904
1904Dating
65.5 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
1983.1.28 · Wildenstein 1583Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A pink bridge suspended in the turquoise mist

The apron cuts the composition near the middle and leaks slightly to the right. Four low arches structure this horizontal passage. Behind them, a few vertical lines are enough to evoke the buildings and chimneys of the south bank.

The sky combines light blue, sea green and turquoise. The bridge receives warmer roses and apricots, taken up in the river. This repetition of colors unites air and water while maintaining the construction of the bridge.

W1583 transforms modern infrastructure into a pastel agreement: architecture is held together by color more than by design.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Washington's 1983.1.28 version

The National Gallery of Art documents an oil on canvas measuring 65.5 × 92.7 cm. It is signed lower right and corresponds to Wildenstein number 1583.

02

A painting also called Pink Effect

The bibliography and exhibitions used the title Waterloo Bridge, Pink Effect. This name describes the apricot pink arches which immediately distinguish this version.

03

From the artist to the Mellon collection

Durand-Ruel and Bernheim-Jeune bought the painting from Monet in December 1920. It then entered the collection of Paul and Bunny Mellon, then was offered to the museum in 1983.

Reference image

Read this specific version

Only one image is used: the exact view of W1583, preserved as a real WebP of 2,200 × 1,552 px, without artificial enlargement.

Composition01

Four arches in a slight diagonal

The apron appears almost horizontal but moves back to the right. This tiny inclination gives depth and must remain visible in the reproduction.

Color02

Turquoise, aquamarine, rose and apricot

Pastel colors keep distinct temperatures. The bridge advances thanks to warm tones, while the sky and the smoke blend into the blue-green ones.

Matter03

Wide and visible keys

The water does not mechanically reflect the bridge. The colors shift and fragment, producing a moving surface that must remain energetic.

Documented benchmarks

Three pieces of information specific to this work

The National Gallery of Art keeps this painting under inventory 1983.1.28; its dimensions are 65.5 × 92.7 cm and its catalog number is Wildenstein 1583.

Identification01

Waterloo Bridge, pink effect, W1583

This oil on canvas from 1904 bears the signature Claude Monet at the bottom right. Its pastel palette explains the historical subtitle Pink Effect.

Collection02

National Gallery of Art, 1983.1.28

Mr. and Mrs. Paul Mellon donated the work to the museum in 1983. The institutional notice documents its provenance since Monet.

Series03

Waterloo Bridge from the Savoy Hotel

Monet observes the bridge from his Savoy room, high up on the north bank. It varies the canvases with time, traffic, smoke and fog density.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Washington, 1983.1.28 and Wildenstein 1583
  • The original horizontal format of 65.5 × 92.7 cm
  • Apricot pink arches in a turquoise atmosphere
  • The colored reflections which extend the bridge without rigid symmetry

Work sheet

Title The Waterloo Bridge, pink effect W1583
Artist Claude Monet (1840 -1926)
Date 1904
Original technique Oil on canvas
Dimensions 65.5 × 92.7 cm
Orientation Horizontal
Conservation National Gallery of Art, Washington, United States
Inventory 1983.1.28 · Wildenstein 1583
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Gallery of Art

Presentation in your interior

A palette designed with the room

This fresh, pastel harmony brings light to a living room, bedroom or office. It works with blond wood, off-white, smoked glass and small powder pink accents.

The Waterloo Bridge, pink effect W1583, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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