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Waterloo Bridge, gray weather W1562 - Claude Monet

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Waterloo Bridge, gray weather W1562 - Claude Monet

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Waterloo Bridge, gray weather W1562 - Claude Monet

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Waterloo Bridge, gray weather W1562 - Claude Monet

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Claude Monet · 1903 · Kunstmuseum Bern · W1562

Waterloo Bridge, gray weather W1562hand painted reproduction

Under a yellow gray sky, Waterloo Bridge forms a slate blue strip punctuated by four light arches. Chimneys emerge from the mist and a small boat passes under the bridge. This oil on canvas measuring 65 × 101.5 cm, signed lower right, is Wildenstein 1562.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterloo Bridge, gray weather W1562 - Claude Monet - full view
Waterloo Bridge, gray weather W1562Claude Monet · 1903
1903Dating
65 × 101.5 cmDimensions of the original
Oil on canvasOriginal technique
157371 · Wildenstein 1562Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An industrial bridge absorbed by gray weather

The apron cuts the composition in the middle and separates two spaces of the same density: the sky laden with smoke and the Thames covered with horizontal wrinkles. The pillars are never isolated by a line; they appear when the blue of the bridge meets the warmer light of the arches.

The range initially appears monochrome, but it mixes green gray, Prussian blue, mauve and sulfur beige. A few darker touches indicate traffic on the bridge. Under the central arch, the tiny boat gives the scale of the monument and the depth of the river.

In W1562, gray is not an absence of color: it results from the balance between yellow smoke, blue stone and purple reflections.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The version kept in Bern

The Kunstmuseum Bern gives the Wildenstein number 1562, the date 1903 and the exact dimensions of 65 × 101.5 cm. The signature "Claude Monet 1903" is painted gray in the lower right corner.

02

The Savoy Hotel viewpoint

Monet looks out over Waterloo Bridge from his room on the north bank of the River Thames. The view plunges slightly over the bridge, boats and smoke from the opposite industrial bank.

03

A provenance documented by the Gurlitt legacy

The museum file traces the passage of the work by Durand-Ruel and Paul Cassirer before his entry into the Gurlitt family. The painting joined the Kunstmuseum Bern by bequest in 2014.

Reference image

Read this specific version

Only one image is used: the exact view of W1562, converted into a true WebP of 1,350 × 869 px at its native resolution, without artificial enlargement.

Composition01

Four unevenly visible arches

The mist should not be reproduced by uniform blur. Each arch maintains a different intensity, from the large clear opening on the left to the more muffled shapes on the right.

Color02

A gray sky crossed by heat

Earthy yellows and very diluted mauves avoid a only blue scene. They reflect the mixture of natural light, steam and urban smoke.

Matter03

Horizontal keys on the Thames

The river is built in small blue-gray and purple bands. Their direction must remain lateral in order to support the large panoramic format and the weight of the bridge.

Documented benchmarks

Three pieces of information specific to this work

The Kunstmuseum Bern identifies the work as Waterloo Bridge, gray time, dated 1903, oil on canvas 65 × 101.5 cm, inventory 157371 and Wildenstein 1562.

Signature01

Bottom right, painted gray

The inscription "Claude Monet 1903" measures approximately 3.1 × 19 cm according to the material examination published in the basis of the Gurlitt legacy.

Collection02

Kunstmuseum Bern, Cornelius Gurlitt legacy 2014

The museum also preserves documentation of the reverse, labels and frame marks, useful for following the material history of the painting.

Catalog03

Wildenstein 1562

This issue separates this cold, covered version of the Waterloo Bridge in direct sunlight, dusk or under pink fog.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Kunstmuseum Bern, Wildenstein 1562
  • The original format of 65 × 101.5 cm
  • The arches melted without losing their rhythm
  • The mixture of blue grays, mauves and smoky yellows

Work sheet

Title Waterloo Bridge, gray weather W1562
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 65 × 101.5 cm
Orientation Panoramic horizontal
Conservation Kunstmuseum Bern, Bern, Switzerland
Inventory 157371 · Wildenstein 1562
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kunstmuseum Bern · legs Gurlitt

Presentation in your interior

A palette designed with the room

This mineral harmony is suitable for a contemporary office, library or living room. Walnut, weathered metal, warm gray and a petrol blue textile highlight the deck without cooling the entire room.

Waterloo Bridge, gray weather W1562, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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