Skip to product information
Le Grand Quai au Havre W295 par Claude Monet, 1874, musée de l’Ermitage
  • Le Grand Quai au Havre W295 par Claude Monet, 1874, musée de l’Ermitage
  • Le Grand Quai au Havre W295 par Claude Monet, 1874, musée de l’Ermitage
Le Grand Quai au Havre W295 - Claude Monet

Le Grand Quai au Havre W295 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

Choose your size

The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
Unit
Sizes Choose by longest side
i

Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Hermitage Museum Impressionist Impressionist cities and modern life Impressionist Landscapes Impressionist water and coastlines Japonism

Artwork description

Reproduction details

Claude Monet · Crowd, goods and ships of the modern port · Hermitage Museum

The Grand Quai in Le Havre W295hand painted reproduction

From an elevated viewpoint, Monet embraces the activity of the Grand Quai in Le Havre: dense crowds, bales of goods, hangars, masts, fireplaces and hulls overlap up to the pool. The inscriptions "Le Havre" and "Caen" appear on a construction in the foreground. The quick touch and the colors pink, blue, ocher and purple transform this commercial agitation into a luminous vibration.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Grand Quai au Havre W295 - Claude Monet - full view
The Grand Quai in Le Havre W295Claude Monet · 1874
1874Dating
61 × 78 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 295Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The gaze plunges into a forest of masts, chimneys and goods

In the foreground, piles of bales and boxes occupy almost the entire width. Small figures crowd together and around a light shed. Vertical stakes, masts and ropes then pass through the pool, creating several successive screens rather than a clear perspective.

Dark ships are surrounded by steam, smoke and clear skies. Red, white and blue flags punctuate the upper part, while the central water takes on roses and blues. The edges remain open and partially outlined, which accentuates the sensation of captured activity on the spot.

Monet does not simplify the port: he uses his very bulk to produce a composition where the crowd, the masts and the colors form a single movement.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diving viewpoint

The quay is viewed from an elevated position, with no low horizon or large body of water in the foreground. This height allows goods, crowds, boats and sky to be superimposed in a very compact depth.

02

Verticals organize disorder

Masts, chimneys, flags and stakes rise to different heights. Their repetition structures the image, while the hulls and roofs introduce horizontal lines which prevent the whole thing from dispersing.

03

A deliberately open execution

Some areas reveal light material or incomplete boundaries. This invoice is suitable for the subject: it suggests movement, steam and port noise without freezing each character or each cargo.

Reference image

Read this specific version

The visual corresponds to the Grand Quai in Le Havre, oil on canvas kept at the Hermitage Museum and listed Wildenstein 295. The reference of 1,476 × 1,112 px is kept at its native definition in a real WebP file.

Composition01

The hangar inscriptions remain legible but secondary

"Le Havre" and "Caen" anchor the scene in the real port. Their scale must remain small so as not to look away from the crowds and ships.

Color02

The masts do not form a regular grid

They vary in thickness, color, inclination and height. This irregularity makes the activity of the pool and avoids a decorative structure that is too rigid.

Matter03

The crowd is a colorful material

People are indicated by very small dark, red, blue and light touches. Their grouping must suggest collective movement without isolating detailed silhouettes.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures approximately 61 × 78 cm. It is kept at the Hermitage Museum and listed as Wildenstein 295.

Stay01

Monet returned to Le Havre in 1874

In the fall, Monet worked again in the town where he grew up to prepare an exhibition. He created several views of the port, this time choosing modern commerce rather than just the shores of Sainte-Adresse.

Series02

One of four views of the harbor during this stay

The Grand Quai belongs to a small complex dedicated to the basin and its installations. Other versions of this stay are now kept at the Los Angeles County Museum of Art, the Philadelphia Museum of Art and in a private collection.

Provenance03

From the Otto Krebs collection to the Hermitage

The work belonged to the German industrialist and collector Otto Krebs. Entering Soviet funds after the Second World War, it was shown to the public at the Hermitage from 1995.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the bird's eye view and very compact depth.
  • Vary precisely mast heights and inclinations.
  • Build the crowd in small touches rather than outlines.
  • Keep areas open that suggest smoke, vapor and movement.

Work sheet

Title The Grand Quai in Le Havre W295
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 61 × 78 cm
Orientation Horizontal
Conservation Hermitage Museum, St. Petersburg, Russia
Inventory Wildenstein 295
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Hermitage Museum - Embankment in Le Havre, digital collection 29707

Presentation in your interior

A palette designed with the room

This dense port scene is suitable for an office, living room or dining room. A walnut, navy blue or bronze frame accompanies the ships; a light beige, gray pink or smoke blue wall reveals flags and light.

The Grand Quai in Le Havre W295, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Le Grand Quai au Havre W295 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

Same artist

Autres œuvres de Claude Monet

Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.

Voir tous les tableaux de Claude Monet
Voir tous les tableaux de Claude Monet