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La Rue Montorgueil à Paris, fête du 30 juin 1878 W469 par Claude Monet, musée d’Orsay

Rue Montorgueil, celebration of June 30, 1878 W469 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Paris decorated on June 30, 1878 · Musée d'Orsay

Rue Montorgueil, festival of June 30, 1878 W469hand painted reproduction

Seen from a window, rue Montorgueil becomes a torrent of crowds and tricolor flags. Monet painted the celebration of June 30, 1878, organized during the Universal Exhibition under the sign of peace, work and republican recovery. The event is captured from a distance, by a multitude of touches that make the city float.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Rue Montorgueil, festival of June 30, 1878 W469 - Claude Monet - full view
Rue Montorgueil, festival of June 30, 1878 W469Claude Monet · 1878
1878Dating
81 × 50 cmDimensions of the original
Oil on canvasOriginal technique
RF 1982 71 · Wildenstein 469Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The crowd and flags turn the street into a vibration

The facades converge towards a high horizon and narrow the perspective. On balconies and windows, red, white and blue flags multiply diagonally. Their succession accelerates the gaze towards the background, where the street disappears in a blue-gray light.

In the lower half, passers-by are not described individually. Vertical, point touches are enough to suggest hats, clothing and movements. A few large banners in the foreground stand out from this compact crowd and extend its agitation to the edges of the painting.

Monet counts neither flags nor passers-by: he paints the sound and light density of a street that has become an event.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An overhanging viewpoint

The window keeps the painter out of the crowd. This distance transforms people into collective rhythm and reveals all the depth of the street.

02

The scattered tricolor

Reds, whites and blues appear on all scales. Their repetition connects facades, sky and crowds without resorting to continuous contours.

03

An almost vertical perspective

The narrow format accentuates the dive. The buildings rise to the sides while the human flow descends towards the viewer.

Reference image

Read this specific version

The WebP image is prepared from a high-definition reproduction of the work, reduced to 3,000 px on its largest side without oversampling. It allows you to observe crowd touches, flags and the material of the facades.

Composition01

A street framed like a canyon

The side buildings form two walls and provide an opening of the sky in the center. The crowd occupies the bottom of this deep cut.

Color02

Three colors modulated everywhere

Reds go from vermilion to burgundy, blues from cobalt to gray, whites from ivory to pink; the tricolor remains alive without becoming decorative.

Matter03

Scaling keys

The nearby flags are painted widely, those at the back in brief lines; the figures become simple colored commas.

Documented benchmarks

Three pieces of information specific to this work

The Musée d'Orsay preserves this painting under the inventory RF 1982 71 and the reference Wildenstein 469.

Event01

The feast of June 30, 1878

It is not July 14: the celebration of peace and work accompanies the third Universal Exhibition and affirms the recovery of France after 1870.

Look02

A scene observed from a window

The museum highlights Monet's distanced position, who does not mingle with the crowd and almost adopts the role of a reporter of urban modernity.

Provenance03

Acquired by Georges de Bellio in July 1878

The collector purchased the painting directly from Monet on July 11, 1878. The work entered the national collections by donation in 1982.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the diving and tight convergence of the facades.
  • Vary the scale and inclination of the flags across the entire height.
  • Suggest the crowd with distinct touches without individualizing each character.
  • Retain the blue grays of the sky and perspective to balance the reds.

Work sheet

Title Rue Montorgueil, festival of June 30, 1878 W469
Artist Claude Monet (1840 -1926)
Date 1878
Original technique Oil on canvas
Dimensions 81 × 50 cm
Orientation Vertical
Conservation Musée d'Orsay, Paris, France
Inventory RF 1982 71 · Wildenstein 469
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay

Presentation in your interior

A palette designed with the room

Its vertical format, bright flags and urban depth give momentum to a narrow wall, entrance or office. A soft black, deep blue or matte gold frame underlines the tricolor rhythm and density of the city.

Rue Montorgueil, celebration of June 30, 1878 W469, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Rue Montorgueil, celebration of June 30, 1878 W469 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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4

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