An off-center portrait
The figure is placed on the left, leaving the sea and walkers an active space on the right.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Camille facing the wind in 1870 · Yale University Art Gallery
Camille sits in a folding armchair, facing the viewer, a pink parasol placed behind her shoulder. Her cream dress fills the foreground while a wave, a child and a walker liven up the beach. Monet combines the intimacy of a portrait with the instability of wind and sea light.

Look at the work
The armchair and dress are cut by the lower and left edges. Camille crosses her arms and tilts her face slightly under a dark headdress. The pale umbrella forms a large curve behind her which responds to that of the wave.
On the right, a child plays near the water under the gaze of a woman wearing green hair. Piles, bathers and a sailboat punctuate the horizon. These tiny details maintain depth around the close-up portrait.
Camille is calm, but everything around her - fabric, foam, parasol and figures - seems to be crossed by the sea air.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The figure is placed on the left, leaving the sea and walkers an active space on the right.
Umbrella, backrest, wave and loose skirt respond to each other and avoid a rigid separation between model and beach.
Cream, gray, pink and pale green shape the fabric without academic contours or uniform white.
Reference image
The unique reference is provided by the IIIF service of Yale University Art Gallery. The 1920 × 1571 px presentation file retained its native resolution, without enlargement, before its conversion to WebP.
A few browns, pinks and grays are enough to give the orientation of the gaze; excessive precision would cause the immediacy to be lost.
The same cool tones appear in the water, the shadows of the garment and the walker's parasol.
The fragmented whites of the wave create movement and detach the silhouette without tracing its outline.
Documented benchmarks
This oil on canvas measuring 38.1 × 46.4 cm, painted in 1870, is kept in Yale under the 1998.46.1 inventory and classified Wildenstein 160.
Married in June 1870, Camille and Monet then stayed in Trouville with their son Jean. It became the center of several beach studies.
The Yale instructions indicate a purchase by Martin, then a visit to Sam Salz before John Hay Whitney's collection.
The work belongs to the collection of Mr. and Mrs. John Hay Whitney and is numbered 1998.46.1.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Camille on Trouville beach W160 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1870 |
| Original technique | Oil on canvas |
| Dimensions | 38.1 × 46.4 cm |
| Orientation | Horizontal |
| Conservation | Yale University Art Gallery, New Haven, United States |
| Inventory | 1998.46.1 · Wildenstein 160 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This clear and intimate portrait is suitable for a bedroom, living room or reading space. A cream, blond wood or gray pink frame extends the softness of the dress and parasol.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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