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Camille dans le jardin avec Jean et une servante W280 par Claude Monet, 1873

Camille in the garden with Jean and her good W280 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Camille, Jean and their maid in the Argenteuil garden · Private collection

Camille in the garden with Jean and her good W280hand painted reproduction

Camille sits in the shade, her large black parasol open behind her, while Jean plays with a hoop near the maid dressed in white. Beyond the path, a red and pink massif leads to the house. In 1873, Monet transformed this family scene into a study of light: the figures were not isolated from the garden, they were modeled by the same quick touches, the same blue reflections and the same summer heat.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Camille in the garden with Jean and her good W280 - Claude Monet - full view
Camille in the garden with Jean and her good W280Claude Monet · 1873
1873Dating
59 × 79.5 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 280Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Camille's parasol transforms a family portrait into a scene of light

Camille occupies the left foreground, slightly off-center. Her light blue dress receives touches of white, gray and turquoise, while the parasol displays a dark mass which protects her face and gives a powerful counterweight to the garden. Her light fan and placed hands bring the gaze back to the center of the figure.

Jean appears further down the aisle, dressed in blue and placed in front of the hoop held by the maid. The difference in scale between mother, child and servant immediately deepens the perspective. The flower bed, the hedge and the pink facade of the house then superimpose three colored bands which gently close the garden.

The family is not prepared for an official portrait: everyone is captured at a different distance, in the middle of a garden where shadow and sun organize relationships.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The large dark parasol controls the entire composition

Her almost black silhouette stands out against the greens of the garden and envelops Camille's head. This compact shape prevents her very light dress from being lost in the aisle and creates the strongest contrast on the canvas.

02

A depth constructed by three figures

Camille in the foreground, Jean in the middle and the maid slightly behind form a diagonal. The hoop connects the child to the standing adult and gives the family scene a discreet movement without interrupting the walk with the gaze.

03

The touch unifies people and the garden

The blues of the dress reappear in the shadows of the alley, the whites of the maid in the light of the sky and the reds of the flowers near the house. Monet thus refuses the traditional separation between portrait and landscape.

Reference image

Read this specific version

The visual corresponds to Camille in the garden with Jean and his maid, painted in 1873 and cataloged Wildenstein 280. The only reference file is a real WebP of 1,359 × 910 px, preserved at its source definition without artificial enlargement.

Composition01

Camille's face remains in a colored darkness

The parasol reduces direct light, but the skin tone still receives gray-blue, beige and small pink touches. Lightening the face evenly would destroy the cast shadow effect.

Color02

The light color contains many blues

Turquoise, blue gray, off-white and some very dark accents describe pleats, bodice and skirt. These variations must remain visible without transforming the garment into a rigid mosaic.

Matter03

The flower bed is a vibration, not a flat decorative pattern

Reds and roses mingle with greens in small discontinuous touches. Their density increases towards the center, then disperses in order to keep the air between the flowers and the hedge.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1873, this oil on canvas measures 59 × 79.5 cm. It bears the number Wildenstein 280 and is today listed as a private collection after having belonged to the Emil G. Bührle collection.

Characters01

Camille, Jean and the maid from the Monet family

The Art Institute's scientific catalog describes Jean touching his hoop, stabilized by the servant in an apron placed to his left. Camille, wife of the artist, stands in the foreground under the parasol.

Location02

The garden of Argenteuil's first house

Monet lived in Argenteuil with his family in the early 1870s. The garden, driveway and house became regular motifs where he combined domestic life, seasonal changes and outdoor painting.

Catalog03

A work set between several family scenes from 1873

W280 precedes Camille Monet on a garden bench W281, Camille and Jean in the garden W282 and the Portrait of Mademoiselle Bonnet W283. This proximity shows how Monet then explores the figure in the middle of the vegetation.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the large black silhouette of the parasol.
  • Keep Camille in a cold but readable shadow.
  • Respect the differences in scale between the three figures.
  • Vibrate the flower bed without hardening each flower.

Work sheet

Title Camille in the garden with Jean and her good W280
Artist Claude Monet (1840 -1926)
Date 1873
Original technique Oil on canvas
Dimensions 59 × 79.5 cm
Orientation Horizontal
Conservation Private collection, Formerly Emil G. Bührle collection, Zurich
Inventory Wildenstein 280
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Art Institute of Chicago - scientific catalog, reference W280

Presentation in your interior

A palette designed with the room

This family scene is suitable for a living room, bedroom or library. A matte gold, patinated black or blue-gray frame accompanies the parasol; a linen, sage green or powder pink wall reveals Camille's dress and the flower bed.

Camille in the garden with Jean and her good W280, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Camille in the garden with Jean and her good W280 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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2

We paint the canvas

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3

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4

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