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Champ de coquelicots dans un creux près de Giverny W1000 par Claude Monet, Museum of Fine Arts Boston
  • Champ de coquelicots dans un creux près de Giverny W1000 par Claude Monet, Museum of Fine Arts Boston
  • Champ de coquelicots dans un creux près de Giverny W1000 par Claude Monet, Museum of Fine Arts Boston
Poppy field in a hollow W1000 - Claude Monet

Poppy field in a hollow W1000 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Decorative Paintings Flower paintings and bouquets Flowering fields and meadows French painting – French artists Impressionist Impressionist gardens and flowers Impressionist Landscapes Japonism

Artwork description

Reproduction details

Claude Monet · Giverny · 1885 · W1000

Poppy field in a W1000 hollowhand painted reproduction

A flow of red poppies descends into the center of a deep valley, between two slopes covered with blue-green grass. A few masses of shrubs structure the slopes, while a line of trees closes the horizon under a pale sky. Painted in 1885, this oil on canvas measuring 65.1 × 81.3 cm is kept at the Museum of Fine Arts in Boston under number 25.106. It corresponds to Wildenstein 1000.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field in a hollow W1000 - Claude Monet - full view
Poppy field in a W1000 hollowClaude Monet · 1885
1885Dating
65.1 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
25.106 · Wildenstein 1000Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The red of the poppies reveals the shape of a valley that the blues and greens would have almost melted into the atmosphere

The flowered band starts from the lower edge, narrows towards the center and rises slightly to the bottom of the hollow. This irregular shape functions as a visual path without any path being represented. Poppies become smaller and more spaced apart with distance, building depth through color.

The two slopes are not symmetrical: the one on the left remains darker and lower, the one on the right rises towards a light area streaked with roses and blues. In the center, the shrubs separate the planes without closing the passage. The gray-blue sky, very small, maintains diffused light rather than a full sun effect.

The strength of this view lies in a simple but unstable ratio: red and green complement each other, while the direction and size of the keys make you feel the slope, grass and depth of the hollow.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Poppies draw a colorful perspective

Their density is maximum in the foreground then decreases towards the bottom. This gradation transforms a constellation of red keys into a spatial axis without resorting to contours.

02

Each side receives a different writing

On the left, the keys are darker and more compact; on the right, they lengthen in the direction of the slope and reveal clear passages. The relief arises from this variation of gesture.

03

Red remains fragmented by green

Flowers never form a continuous flat area. Blue, green and gray intervals cross the central band, avoiding a decorative effect and retaining the grass feel between the corollas.

Reference image

Read this specific version

The single image comes from a high definition color scan of this specific version. The source file of 5701 × 4551 px is limited to 3000 × 2395 px, without enlargement, then encoded as a real WebP.

Composition01

Respect the irregular axis of the poppies

The red band tightens as it rises but remains slightly offset and interrupted. A shape that is too regular would make you think of a landscaped bed rather than a natural field.

Color02

Keep greens strongly cooled

The slopes contain turquoise, blue and purple. Making them only green and yellow would remove the atmospheric contrast that gives red its shine.

Matter03

Preserve key directions

Vertical gestures in the foreground, oblique on the slopes and shorter in the distance, contribute directly to the relief. They must remain distinct without becoming mechanical.

Documented benchmarks

Three pieces of information specific to this work

The Museum of Fine Arts in Boston documents Poppy Field in a Hollow near Giverny, oil on canvas from 1885, 65.1 × 81.3 cm, inventory 25.106 and catalog Wildenstein 1000.

Pattern01

A valley in the immediate vicinity of Giverny

Established in the village since 1883, Monet observes hollow terrain here rather than a wide panorama. The close slopes focus on vegetation and color.

Composition02

A perspective produced by the size of the keys

The flowers in the foreground are wider and separate; those at the bottom become small accents. This change in scale moves the space back while maintaining a very active surface.

Collection03

Juliana Cheney Edwards Collection, entered in 1925

The painting is numbered 25.106 at the Museum of Fine Arts in Boston. Its old acquisition integrated it into one of the museum's major impressionist ensembles.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Wildenstein version 1000 and inventory 25.106
  • The central red poppy flow
  • The blue-green slopes that frame the valley
  • Gradual decrease of keys towards the horizon

Work sheet

Title Poppy field in a W1000 hollow
Artist Claude Monet (1840 -1926)
Date 1885
Original technique Oil on canvas
Dimensions 65.1 × 81.3 cm
Orientation Horizontal
Conservation Museum of Fine Arts, Boston, United States
Inventory 25.106 · Wildenstein 1000
Your reproduction Handmade oil painting on canvas
Consult the official collection notice - Museum of Fine Arts Boston · 25.106

Presentation in your interior

A palette designed with the room

This view of Giverny is suitable for a living room, bedroom or bright entrance. A blue gray, almond green or linen wall and a light wood frame allow the reds to remain lively without dominating the entire room.

Poppy field in a W1000 hollow, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Poppy field in a hollow W1000 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

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