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By canoe on the Epte W1250 - Claude Monet

By canoe on the Epte W1250 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
By canoe on the Epte W1250 - Claude Monet

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By canoe on the Epte W1250 - Claude Monet
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By canoe on the Epte W1250 - Claude Monet

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Claude Monet · Epte river · around 1890 · W1250

By canoe on the Epte W1250hand painted reproduction

Suzanne and Blanche Hoschedé cross the Epte in a long boat whose hull is cut by the edges of the painting. This oil on canvas of 133.5 × 146 cm, painted around 1890, is kept at MASP under the number MASP.00092 and corresponds to Wildenstein 1250.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
By canoe on the Epte W1250 - Claude Monet - full view
By canoe on the Epte W1250Claude Monet · around 1890
around 1890Dating
133.5 × 146 cmDimensions of the original
Oil on canvasOriginal technique
MASP.00092 · Wildenstein 1250Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The canoe floats above water whose depth Monet shows

The boat occupies the upper part, while the train descends diagonally to the foreground. This tight framing almost eliminates the bank and places the viewer in direct contact with the river.

Under the two light figures, the submerged grasses form sinuous ribbons. Reflections, current and vegetation overlap in dark matter where greens, blues and purples remain visible.

W1250 not only describes what is reflected on the surface: it makes you look through the water, towards the plants that undulate at the bottom of the Epte.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A framing close to photography

The hull is cut by the edges and the figures are slightly off-center. The MASP brings this construction closer to the photographic framing and Japanese prints collected by Monet.

02

The oar as an axis of depth

The long orange diagonal connects the passengers in the foreground. Its angle and warm color organize a deliberately complex aquatic surface.

03

The exact version of MASP

The format of 133.5 × 146 cm, the inventory MASP.00092 and the reference Wildenstein 1250 distinguish this canvas from the other canoes of Monet on the Epte.

Reference image

Read this specific version

Only one reference image is used. The exact image of MASP.00092 is provided as a true WebP of 2200 × 2027 px, without artificial enlargement.

Composition01

A deliberately truncated boat

The ends of the hull come out of the frame. This choice amplifies the feeling of proximity and should not be corrected in reproduction.

Color02

Colorful whites on dark water

The dresses mix pink, blue and gray; they shine in contrast with deep greens, without becoming flat white.

Matter03

An almost tactile thickness

MASP emphasizes the thick paint layer and pure colors. The curved gestures of the water must remain distinct from the more continuous passages of the hull.

Documented benchmarks

Three pieces of information specific to this work

The MASP documents In a canoe on the Epte, oil on canvas circa 1890, 133.5 × 146 cm, inventory MASP.00092 and Wildenstein 1250.

Models01

Suzanne and Blanche Hoschedé

The two sisters posed for several canoeing scenes between 1887 and 1890. Their presence gave a human scale to Monet's research on the river.

Letter02

A problem considered almost impossible

In June 1890, Monet wrote to Gustave Geffroy about water and vegetation undulating at the bottom, a difficulty directly visible in this composition.

Acquisition03

Purchased by MASP in 1953

The Sao Paulo museum acquired the painting in 1953. Its framing and materiality make it a unique case in the group of canotages.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Version MASP.00092, Wildenstein 1250
  • The shell cut by the frame
  • The long diagonal of the train
  • Herbs visible beneath the surface of the Epte

Work sheet

Title By canoe on the Epte W1250
Artist Claude Monet (1840 -1926)
Date around 1890
Original technique Oil on canvas
Dimensions 133.5 × 146 cm
Orientation Almost square
Conservation Museu de Arte de Sao Paulo, Sao Paulo, Brazil
Inventory MASP.00092 · Wildenstein 1250
Your reproduction Handmade oil painting on canvas
Consult the official notice - MASP · MASP.00092

Presentation in your interior

A palette designed with the room

The almost square format and deep greens are suitable for a living room or library. A warm white wall, walnut and some powder pink or bottle green textiles extend the contrasts of the work.

In a canoe on the Epte W1250, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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