Trees that compartmentalize
The four large trunks cut the street into successive scenes: passers-by, workers, facades and piles of stones.
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Vincent van Gogh · Mid-December 1889 · Saint-Rémy-de-Provence
Under immense yellow plane trees, workers repaired the eastern course at Saint-Rémy: this second version, more constructed, took up the study painted outside in the workshop.
Look at the work
Large sinuous trunks divide the composition. On the left, two women pass near a street lamp; in the center and right, small figures move sand and stones. Light facades appear between the trees, while the cut blocks form a line at the bottom.
Yellow foliage almost fills the sky. The trunks are surrounded by blue-green, black and purple; the ground is built by long pale touches. The repetition of the Phillips simplifies several passages and distributes characters, tools and architecture more clearly.
Van Gogh calls this painting a "copy" of his painted study of the motif, now in Cleveland; technical examination of both works confirms that Washington's version was subsequently produced in the studio.
Composition, touch and color
The Phillips Collection connects the scene to the Eastern Course and the letter of December 7, 1889, where Van Gogh describes the piles of sand, stones and gigantic trunks.
The four large trunks cut the street into successive scenes: passers-by, workers, facades and piles of stones.
Compared to the Cleveland study, the outlines are more controlled and the details are redistributed with a more readable narrative intention.
The yellow of the leaves invades the top of the painting and is reflected on the houses and the ground, opposite the blue-green of the trees.
Documented benchmarks
Number 0799 and references F658/JH1861 identify the Phillips repeat, distinct from the first F657/JH1860 version held in Cleveland.
Workers repave a street in Saint-Rémy visible during Van Gogh's outings from the Saint-Paul-de-Mausole asylum.
The first canvas was executed outside on a patterned cotton canvas; this second version, on classic canvas, was taken up in the workshop.
Van Gogh describes to Theo the enormous plane trees, the yellowing leaves, the stones, the sand and the small figures at work.
Your reproduction
The reproduction must preserve the monumental scale of the plane trees, the clarity of the small scenes and the yellow-blue contrast without standardizing the tangle of the keys.
| Title | Les Cantonniers in Saint-Rémy, F658 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | Mid-december 1889 |
| Place of creation | Saint-Rémy-de-Provence |
| Original technique | Oil on canvas |
| Dimensions | 73.66 × 92.71 cm |
| Inventory | The Phillips Collection 0799 · F658 · JH1861 |
| Conservation | The Phillips Collection, Washington |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format is suitable for a living room, dining room or large office. Autumn yellow, sea green, pearl gray and black match light wood, deep blue and warm walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The best official image available from The Phillips Collection measures 1,536 × 1,218 px; it was converted into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Van Gogh Saint-Rémy-de-Provence
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