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Au Cap d’Antibes, par vent de mistral W1176 par Claude Monet, Museum of Fine Arts Boston

In Cap d'Antibes, in mistral wind W1176 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Antibes · 1888 · W1176

In Cap d'Antibes, in mistral wind W1176hand painted reproduction

A clump of trees and shrubs leans over a blue-green sea stirred by the mistral, while the pale Alps close the horizon. Painted during Monet's stay in Antibes in 1888, this oil on canvas measuring 66 × 81.3 cm is kept at the Museum of Fine Arts in Boston under number 42.542 and corresponds to Wildenstein 1176.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
In Cap d'Antibes, in mistral wind W1176 - Claude Monet - full view
In Cap d'Antibes, in mistral wind W1176Claude Monet · 1888
1888Dating
66 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
42,542 · Wildenstein 1176Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The mistral can be read in the inclination of the trees and the colorful surface of the sea

The first plant plane starts from the lower edge and rises to the left of the center. The fine trunks, oblique branches and stretched foliage give a direction to the wind. A small light sail appears beyond, isolated in the maritime space.

Olive green, dark blue, purple and brown enliven the trees; turquoise, cobalt and white fragment the sea. The distant mountains are painted in much lighter pinks and blues, so that depth arises mainly from a change in temperature and intensity.

Monet does not paint the wind as an invisible event: he makes it perceptible by the direction of the branches, the nervousness of the keys and the contrast between the first dry plane and the moving sea.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal imposed by vegetation

Trees do not rise vertically. Their lateral thrust directs the gaze to the right and reflects the pressure of the mistral without resorting to a narrative scene.

02

A sea built by short touches

The blues, greens and whites remain distinct. Their irregular rhythm suggests a wind-lift surface rather than a calm, reflective body of water.

03

Alps transformed into atmospheric sail

The mountain range is visible but deliberately not very contrasting. Monet integrates it into the sky to accentuate the colorful proximity of the trees and the distance from the continent.

Reference image

Read this specific version

Only one exact image of W1176 is used throughout the file. The real WebP measures 1,600 × 1,304 px, the best reliable public definition identified for this version, preserved without artificial enlargement.

Composition01

Maintain precise tree tilt

Their apparent imbalance is essential to the pattern. Straightening them would remove the mistral sensation which gives the canvas its title.

Color02

Preserve the violets in the foliage

Shadows are not black. Purple, blue and brown enrich plant masses and connect them to mountains as well as the sea.

Matter03

Keep the small sail insulated

This light shape remains tiny in the bay. It measures space and brings a point of calm amid the more nervous touches of the foreground.

Documented benchmarks

Three pieces of information specific to this work

The Museum of Fine Arts in Boston preserves Cap d'Antibes, Mistral, oil on canvas from 1888, 66 × 81.3 cm, inventory 42,542 and Wildenstein 1176.

Campaign01

A stay from January to May 1888 on the Côte d'Azur

Monet settles near Antibes and works in front of a light that he considers difficult to translate. He returns to several motifs to observe variations in time.

Series02

Three views dedicated to the same trees

The museum says Monet paints three compositions centered on this group of trees. W1176 associates precisely this motif with the force of the mistral.

Collection03

Legacy of Doctor Arthur Tracy Cabot in 1942

The painting joins the Museum of Fine Arts in Boston under number 42.542. It belongs to Monet's remarkable collection of landscapes preserved by the museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1176 version
  • Trees inclined by the mistral
  • The little sail on the sea
  • Pale Alps on the horizon

Work sheet

Title In Cap d'Antibes, in mistral wind W1176
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 66 × 81.3 cm
Orientation Horizontal
Conservation Museum of Fine Arts, Boston, Boston, Massachusetts, United States
Inventory 42,542 · Wildenstein 1176
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Fine Arts, Boston · 42.542

Presentation in your interior

A palette designed with the room

This dynamic Mediterranean view is suitable for a living room, entrance or office. A deep blue, sage green or light stone wall and a sober frame underline its movement.

In Cap d'Antibes, in mistral wind W1176, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
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In Cap d'Antibes, in mistral wind W1176 - Claude Monet
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70 cm
390 cm

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