A blue and gold harmony
The Musée d'Orsay preserves the painting under the main title Le Portail et la Tour Saint-Romain, full sun and the other title Harmonie bleue et or. It measures 107 × 73.5 cm.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1893 · Musée d'Orsay RF 2002 · W1360
Under a clear blue sky, the portal and the Saint-Romain tower receive an intense light which transforms the stone into ivory, yellow and blue. The deep shadows of the openings cut out the facade without freezing it. The Musée d'Orsay designates this version as a blue and gold harmony.

Look at the work
The Saint-Romain tower rises to the left while the main portal opens in the center right. The lit parts are advanced in creamy yellow; the hollows become brown, midnight blue and purple. Some urban shapes at the bottom of the canvas give the scale of the monument.
The blue sky visible in the cutouts of the facade reinforces the warmth of the reliefs. Monet, however, does not list the sculptures: he makes them appear with small thick touches whose directions follow then interrupt the architecture.
W1360 gets its brilliance from the contrast between a golden stone and blue shadows which retain all the depth of the portal.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The Musée d'Orsay preserves the painting under the main title Le Portail et la Tour Saint-Romain, full sun and the other title Harmonie bleue et or. It measures 107 × 73.5 cm.
The notice dates the execution from 1893 and notes the signature "Claude Monet 94" at the bottom left. Like other Cathedrals, the canvas is worked on the motif then taken up before its public presentation.
Count Isaac de Camondo acquired the work from Monet in September 1894. His legacy was accepted by the State in 1911; the painting joined the Musée d'Orsay in 1986 after the Louvre and the Jeu de Paume.
Reference image
Only one image is used: the complete view of W1360, preserved as a real WebP of 1,470 × 2,200 px, without artificial enlargement.
The asymmetry between the upper mass on the left and the central gate must be preserved. Sky openings prevent the facade from becoming a uniform wall.
Warm tones belong to reliefs in direct sunlight. Blues and browns concentrate the shadows; their contrast must remain strong without hardening every detail.
The clear impastos give the stone a tactile presence. The reproduction must retain their irregularities, because they are what make the facade vibrate in hindsight.
Documented benchmarks
The Musée d'Orsay documents this painting under the RF 2002 inventory; the Wildenstein catalog distinguishes it under number 1360.
This oil on canvas from 1893 measures 107 × 73.5 cm. It is signed and dated 94 at the bottom left and also bears the title Blue and Gold Harmony.
Acquired directly from Monet by Isaac de Camondo in 1894, it entered the national collections through his legacy of 1911 and was assigned to the Musée d'Orsay in 1986.
The painting is among the twenty Cathedrals presented in Paris in 1895. Their hanging made it possible to compare the changing effects on the same monument.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Rouen Cathedral, full sun W1360 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1893 |
| Original technique | Oil on canvas |
| Dimensions | 107 × 73.5 cm |
| Orientation | Vertical |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 2002 · Wildenstein 1360 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This light cathedral brings height and energy to an entrance, library or office. Blues and golds match walnut, oak, weathered brass and warm white walls.
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