An overflowing field
The wheat fills the majority of the canvas and its oblique touches seem to go beyond the limit of framing. The viewer finds himself placed at the very level of the ears.
2 · Exemple de la sélection
La photo principale correspond à la couleur de cadre choisie. Chaque couleur est illustrée par une œuvre d’exemple différente.
Préparation de la sélection…
Ces médias montrent uniquement la réalisation, le support, la texture et les finitions. L’œuvre commandée reste celle affichée dans les blocs bleus.
3 · Mise en situation
Reproduction d’art premium
Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.
Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Après votre commande, les trois fichiers sont contrôlés puis envoyés manuellement par e-mail.
Comprendre les formats
Vincent van Gogh · July 1890 · Auvers-sur-Oise, France
A wind-waving wheat field rises to a line of deep blue hills. A few blueberries scattered in the ears are enough to connect the foreground to the distance and give its identity to this painting from the Fondation Beyeler.
Look at the work
The mass of the cereals is painted by short yellow, ocher and olive green lines. They rise, tilt and cross like stems in the wind. On the left, a strip of green grass opens the field; in the center and right, small blue touches mark the flowers.
The highest points of wheat stand out in front of the hills. Their light yellow visually plunges into the blue of the relief, while the blueberries bring this color back to the heart of the field. The sea green sky, covered with large white traces, maintains a cool light.
The depth is due to an exchange of colors: blue descends from the hills towards the flowers, the yellow of the wheat rises to the horizon.
Composition, touch and color
The Inv.97.1 version is distinguished by its blue hills, pale green sky and small spots of cornflower scattered diagonally across the field.
The wheat fills the majority of the canvas and its oblique touches seem to go beyond the limit of framing. The viewer finds himself placed at the very level of the ears.
Blueberries, field shadows and hills share blues of different density. This repetition connects the near and the far.
The features of the sky are wider than those of wheat. Their horizontal movement momentarily calms the tight energy of the foreground.
Documented benchmarks
The Fondation Beyeler preserves the painting under the title Field of wheat with blueberries, dated 1890 and registered under the number Inv.97.1.
The numbers in the catalogs raisonnés distinguish this landscape from the canvas next to the millstones and from the other fields painted in Auvers.
The German painter Max Liebermann acquired the work in 1907. After several private collections, it entered the Fondation Beyeler in 1996.
The painting measures 60 × 81 cm and belongs to the Beyeler Collection in Riehen, near Basel.
Your reproduction
The painter must differentiate the directions of the ears, replace the blueberries precisely and maintain the dialogue between the yellows of the field, the blue hills and the sea green sky.
| Title | Wheat field with blueberries |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | July 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 60 × 81 cm |
| Inventory | Inv.97.1 · F808 · JH2118 |
| Conservation | Beyeler Foundation, Riehen/Basel |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format brings light and movement to a living room, bedroom or office. Wheat yellow warms light gray, pale blue, cream walls and natural wood furniture.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The reference is the high definition reading of the Inv.97.1 table. The image has been reduced to 3000 × 2181 px and converted to WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Same artist
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