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Charing Cross Bridge, W1550 - Claude Monet

Charing Cross Bridge, W1550 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Charing Cross Bridge, W1550 - Claude Monet

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Charing Cross Bridge, W1550 - Claude Monet
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Charing Cross Bridge, W1550 - Claude Monet

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Claude Monet · 1899 -1901 · London · Wildenstein 1550

Charing Cross Bridge, W1550hand painted reproduction

Charing Cross Bridge dissolves in a pink, yellow and sea green light. The bridge floats above the Thames like a purple band, while the dark boats and their smoke give the foreground an activity that the mist immediately absorbs.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Charing Cross Bridge, W1550 - Claude Monet - full view
Charing Cross Bridge, W1550Claude Monet · 1899 -1901
1899 - 1901Dating
65 × 80 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1550Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A warm light transforms the bridge and the river into a field of color

The bridge is placed high in the canvas, leaving the Thames almost two-thirds of the size. Its purple piles descend in vertical reflections, but their regularity is broken by touches of pink, yellow and turquoise. On the right, Parliament is nothing more than a barely perceptible blue silhouette.

Several boats occupy the bottom of the painting. Their purple-brown hulls, small chimneys and steam trails introduce diagonals into the range of reflections. These dark signs prevent the bright atmosphere from becoming uniform and give the scale of the scene.

This version can be recognized by the intensity of its warm reflections: the bridge remains distant, but the color comes almost to the lower edge of the canvas.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Charing Cross Bridge, W1550 - Claude Monet
01

A tighter format than most London series

At approximately 65 × 80 cm, the canvas brings the piers together and concentrates the boats in the foreground. The relationships between bridge, water and sky must maintain this particular compression.

02

Warm reflections cut by cold greens

Roses and oranges dominate without forming a flat surface. They are crossed by sea green, turquoise and mauve, essential for the luminous vibration.

03

Boats readable by their densities alone

Hulls, chimneys and smoke are never surrounded. A few purple-brown masses are enough to make them appear; detailing them further would artificially detach them from the mist.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Pink, orange and sea green reflections - detail by Charing Cross Bridge, W1550 - Claude Monet
Pink, orange and sea green reflectionsThe detail reveals juxtaposed rather than mixed touches. Cold passages keep depth in the middle of an exceptionally warm scale.
Boats in the Mist of the Thames - detail of Charing Cross Bridge, W1550 - Claude Monet
Boats in the mist of the ThamesDark hulls, small chimneys and smoke are constructed in fragments. They must remain integrated into the reflections, without added contour.

The exact view measures 2000 × 1613 px. Details of 1600 × 600 px and 1600 × 650 px are direct cropping of the same documented file. No files have been enlarged; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These benchmarks concern the Wildenstein 1550 version and come from the sales notice which documents its identity, dimensions and origin.

Identification01

The Wildenstein 1550 version

This oil on canvas, painted between 1899 and 1901, measures approximately 65 × 80 cm. It belongs to a private collection and was presented at Sotheby's in New York on November 12, 2018, lot 37.

Provenance02

From the Monet family to private collections

The work passed around 1921 to the artist's grandson, James Butler, then through Alex Maguy's Galerie de l'Élysée. Its documented provenance then included several collections and sales in New York.

Pattern03

The Thames seen from the Savoy Hotel

Monet observes Charing Cross Bridge from his bedroom and terrace. He then takes up the paintings in Giverny, where the memory of the atmosphere guides both the work and the studies carried out on site.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The version specifies Wildenstein 1550
  • The particular ratio of the 65 × 80 cm format
  • Warm roses balanced by sea green
  • Boats preserved diffuse into the atmosphere

Work sheet

Title Charing Cross Bridge, W1550
Artist Claude Monet (1840 -1926)
Date 1899 - 1901
Original technique Oil on canvas
Dimensions 65 × 80 cm
Orientation Horizontal
Conservation Private collection, Non-public location
Inventory Wildenstein 1550
Your reproduction Handmade oil painting on canvas
Consult the documented sales notice - Sotheby's

Presentation in your interior

A palette designed with the room

This reproduction combines powder pink, peach, mauve and sea green in a luminous balance. It warms a cream, pearl gray, celadon green or mist blue wall and works particularly well in a room with natural materials.

Charing Cross Bridge, W1550, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Charing Cross by Claude Monet Claude Monet French painting – French artists

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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