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Charing Cross Bridge, Thyssen W1531 - Claude Monet

Charing Cross Bridge, Thyssen W1531 - Claude Monet

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Charing Cross Bridge, Thyssen W1531 - Claude Monet

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Charing Cross Bridge, Thyssen W1531 - Claude Monet
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Charing Cross Bridge, Thyssen W1531 - Claude Monet

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Claude Monet · London, 1899 · Carmen Thyssen Collection · W1531

Charing Cross Bridge, Thyssen W1531hand painted reproduction

A pearl blue mist envelops the Thames, the railway bridge and the towers of Westminster. Only a few pink smoke, yellow shards on the water and a purple-blue boat disturb this cold unity. In this 1899 painting, Monet reduces London to a series of floating presences whose distance is measured by their degree of erasure.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Charing Cross Bridge, Thyssen W1531 - Claude Monet - full view
Charing Cross Bridge, Thyssen W1531Claude Monet · 1899
1899Dating
64.8 × 80.6 cmDimensions of the original
Oil on canvasOriginal technique
CTB.1996.7 · Wildenstein 1531Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The city appears by successive thresholds in an almost monochrome atmosphere

The sky occupies the upper half and changes from blue-gray to lilac-white without breaking. The towers of Parliament stand on the right like two transparent rectangles, while pink and purple masses signal smoke and traffic on the left. The bridge itself becomes a blue horizontal band, interrupted by its piers.

Below this line, the river takes on the colors of the sky but fragments them into small touches of yellow, pink and white. A boat placed at the bottom right introduces the only clearly inclined shape. Its reflection and its blue-purple hull provide a ladder to the bridge piers and silently bring the foreground closer together.

The further away the city goes, the less Monet draws it: Parliament, trains and the bridge exist by the different density of the same mist blues.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Charing Cross Bridge, Thyssen W1531 - Claude Monet
01

A bridge reduced to an urban skyline

The apron runs through the canvas in the middle without a black outline. The piles should remain slightly denser than air and water, but transparent enough to belong to the mist.

02

Pink smoke that makes the train noticeable

To the left of Parliament, the small pale pink and purple masses are decisive. They signal railway activity while adding the rare warm temperatures of the sky.

03

An oblique boat in a horizontal world

The hull in the foreground breaks the bands of the bridge and the river. Its position, size and purple-blue are essential to give depth to this very clear composition.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The boat and the flashes of light on the Thames - detail by Charing Cross Bridge, Thyssen W1531 - Claude Monet
The boat and the flashes of light on the ThamesThe detail shows the blue-purple hull, the piles barely denser than the river and the small yellow touches that catch the light. Nothing is black, even in the foreground.
Parliament behind the fumes blue pink - detail by Charing Cross Bridge, Thyssen W1531 - Claude Monet
Parliament behind the blue-pink smokeThe towers of Westminster dissolve into the blue of the sky. The pink and purple fumes placed on the left produce an atmospheric depth without contour or vanishing line.

The best native view of this version measures 2000 × 1625 px. The two details of 1100 × 1100 px and 1100 × 900 px were taken directly from this file, without artificial enlargement. All three media were encoded and verified as true decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Thyssen CTB.1996.7, Wildenstein 1531

The painting is dated 1899, measures 64.8 × 80.6 cm and bears the signature and date "Claude Monet 99" at the bottom right. It is registered under number CTB.1996.7 and listed as Wildenstein 1531.

London02

Three stays between 1899 and 1901

The Museo Thyssen recalls that Monet painted his variations of the Thames during three successive stays, from September 1899 to April 1901. He observed Charing Cross Bridge from the Savoy Hotel, then continued the paintings in his studio in Giverny.

Collection03

Carmen Thyssen-Bornemisza Collection

Charing Cross Bridge belongs to the Carmen Thyssen-Bornemisza collection and is deposited at the Museo Nacional Thyssen-Bornemisza in Madrid. The view thus brings together one of Monet's most atmospheric research with a major ensemble of impressionist painting.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Carmen Thyssen collection, CTB.1996.7 and W1531
  • The original format of 64.8 × 80.6 cm
  • The small differences between pearl blue, lilac and gray maintained
  • The boat, piles and towers kept visible without hard contours

Work sheet

Title Charing Cross Bridge, Thyssen W1531
Artist Claude Monet (1840 -1926)
Date 1899
Original technique Oil on canvas
Dimensions 64.8 × 80.6 cm
Orientation Horizontal
Conservation Museo Nacional Thyssen-Bornemisza, Carmen Thyssen collection, Madrid, Spain
Inventory CTB.1996.7 · Wildenstein 1531
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museo Nacional Thyssen-Bornemisza

Presentation in your interior

A palette designed with the room

Pearl blue, lilac, mist pink, pale yellow and purple blue diffuse a calm and refined light. This horizontal reproduction is suitable for a bright bedroom, office or living room, with off-white walls, glass and bluish gray textiles.

Charing Cross Bridge, Thyssen W1531, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Charing Cross by Claude Monet Claude Monet French painting – French artists

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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