The bridge as a large light bar
Its line crosses almost the entire width without becoming rigid. Darker batteries introduce a regular rhythm and allow distance measurement.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
Explore the subjects and styles associated with this reproduction.
Artwork description
Claude Monet · 1902 · the Art Gallery of Ontario version
The bridge passes through a yellow-green mist where the bank and the sky merge; on the right, Parliament floats like a cold silhouette, while vertical reflections keep the Thames moving.

Look at the work
Charing Cross Bridge cuts the canvas slightly below the middle. Its piles are visible, but the deck blends into the same yellows, greens and blues as the air. The large Parliament Tower appears to the right, far behind the bridge, with edges so soft that it appears to recede into the steam.
The foreground is constructed by long vertical touches which descend from the bridge. These reflections contrast with the horizontal of the structure and give depth to the river. No pure black is necessary: even the darkest areas remain crossed by blue, green and purple.
The yellow atmosphere does not erase space: it unites the bridge, the Parliament and the Thames while leaving each plane with a different density.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Its line crosses almost the entire width without becoming rigid. Darker batteries introduce a regular rhythm and allow distance measurement.
The right tower is vertical, but its cool colors and open contours keep it away. It serves as a counterpoint to the very horizontal bridge.
Under the apron, the traces descend into the water in green, blue and purple. They give movement to a scene whose monuments appear suspended.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The proper view measures 984 × 781 px and the detail 650 × 560 px, without enlargement. The third image is a real photograph of the work framed at the McNay Art Museum, prepared in WebP of 5000 × 3333 px.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The Art Gallery of Ontario preserves this oil on canvas under number 90/161. It measures 73 × 92 cm and its current frame measures 103.2 × 121.9 cm.
The inventory, the format and the dominant yellow-green allow us to distinguish this canvas from the numerous views of Charing Cross painted by Monet around 1900.
The hanging photograph shows the AGO's work in its frame during the Monet and Whistler in London presentation at the McNay Art Museum in San Antonio.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Charing Cross Bridge, fog |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1902 |
| Original technique | Oil on canvas |
| Dimensions | 73 × 92 cm |
| Orientation | Horizontal |
| Conservation | Art Gallery of Ontario, Toronto, Canada |
| Inventory | 90/161 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The gray yellow, sea green and smoky blue palette illuminates an interior without producing a harsh contrast. It goes well with light woods, brass, off-white, sage green and warm gray.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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