Tide chaser at anchor W207 - Claude Monet

Tide chaser at anchor W207 - Claude Monet

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Tide chaser at anchor W207 - Claude Monet

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Tide chaser at anchor W207 - Claude Monet
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Tide chaser at anchor W207 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · A commercial sailboat on the Seine in 1871 -1872 · Orsay

Tidal chaser at anchor W207hand painted reproduction

A black tidal fighter is immobilized on a wide and calm river, its masts and ropes erected against a gray-blue sky. The bank of Rouen is reduced to trees, a few houses and a green strip. Monet gives the ship its full scope without resorting to a spectacular scene: the hull, the rigging and their reflections are enough to make the weight of the boat felt in a humid atmosphere.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Tide chaser at anchor W207 - Claude Monet - full view
Tidal chaser at anchor W207Claude Monet · Between 1871 and 1872
Between 1871 and 1872Dating
48 × 75 cmDimensions of the original
Oil on canvasOriginal technique
RF 1677 · Wildenstein 207Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The rigging draws architecture on the sky

The main boat is placed slightly to the right of the center. Its dark, long and low hull is topped by a network of inclined masts, yards and ropes. A second sailboat is superimposed behind it, which densifies the rigging and creates the impression of a small group of ships at anchor.

The opposite bank remains very low: slender trees, houses with red roofs and a long green boat line up below the horizon. In the water, the reflections of the hulls break into short verticals. The vast gray sky, barely modulated, gives the ship a monumental scale.

The boat does not move, but the masts, shrouds and reflections multiply the directions and keep the whole scene in tension.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A dark mass placed on a light line

The hull concentrates deep blacks and blues in the center. The water and sky, much paler, isolate it with a clarity that remains atmospheric.

02

A network of lines without dry drawing

Masts and ropes are precise in their position but vary in thickness and color. Many get lost in the sky before reappearing further down.

03

An almost still horizon

The shore develops horizontally behind the boat. Its muted greens and small vertical trees stabilize the oblique movement of the rigging.

Reference image

Read this specific version

The single reference corresponds to the RF 1677 inventory of the Musée d'Orsay. Public domain photography of 3,472 × 2,152 px was optimized to 3,000 × 1,859 px, without enlargement, then encoded in WebP.

Composition01

A hull described by a few plans

The bow, planking and waterline are differentiated by black, gray and blue bands. Their ratio must retain the heaviness of the ship.

Color02

A gray sky crossed by blue

The surface appears plain from a distance, but long passages of pale blue, beige and warm gray give it a misty depth.

Matter03

Reflections interrupted by the current

The silhouettes are not repeated like in a mirror. Vertical touches are cut by small horizontal gestures that suggest the surface of the river.

Documented benchmarks

Three pieces of information specific to this work

The Musée d'Orsay keeps this oil on canvas measuring 48 × 75 cm under the inventory RF 1677; the Wildenstein catalog classifies it under number 207.

Location01

A river subject located in Rouen

The museum's indexing identifies Rouen and Seine-Maritime. The tidal fighter, a sailing cargo ship, places the work in the commercial activity of the river.

Collection02

A work owned by François Depeaux

The great Rouen collector kept the painting until its sale in 1901. Bernheim-Jeune and Durand-Ruel bought it together before its transmission to Étienne Moreau-Nélaton.

Donation03

The Moreau-Nélaton gift of 1906

Accepted that year by the State, the painting passed through the Museum of Decorative Arts, the Louvre and the Jeu de Paume, then joined the Musée d'Orsay in 1986.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the exact position of masts, yards and dark bow.
  • Maintain the contrast of the vessel without evenly blackening the hull.
  • Preserve the lower bank and the small red roofs behind the rigging.
  • Return reflections with fragmented vertical touches in gray-blue water.

Work sheet

Title Tidal chaser at anchor W207
Artist Claude Monet (1840 -1926)
Date Between 1871 and 1872
Original technique Oil on canvas
Dimensions 48 × 75 cm
Orientation Horizontal
Conservation Musée d'Orsay, Paris, France
Inventory RF 1677 · Wildenstein 207
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay - inventory RF 1677

Presentation in your interior

A palette designed with the room

This panoramic navy brings a sober presence to a living room, office or dining room. A soft black, smoked oak or aged silver frame accompanies the grays and blues of the river.

W207 anchor tide chaser, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Decorative Paintings French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

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