White clematis W1144 - Claude Monet

White clematis W1144 - Claude Monet

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White clematis W1144 - Claude Monet

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White clematis W1144 - Claude Monet
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White clematis W1144 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · Giverny · 1887 · W1144

White clematis W1144hand painted reproduction

Bunches of white clematis descend among dense foliage, without mud, horizon or architecture. The flowers dissolve into broken whites, pale yellows, pinks and purples, while the greens vary from bright jade to almost black. Painted in 1887, this oil on vertical canvas measuring 92 × 52 cm is kept at the Marmottan Monet museum under number 5011 and corresponds to Wildenstein 1144.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
White clematis W1144 - Claude Monet - full view
White clematis W1144Claude Monet · 1887
1887Dating
92 × 52 cmDimensions of the original
Oil on canvasOriginal technique
5011 · Wildenstein 1144Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A wall of flowers that completely fills the eye

The composition shows neither ground nor sky. The white bouquets follow one another from top to bottom and are partially cut by the edges, giving the impression that the vegetation continues out of the frame. A darker brown stem discreetly crosses the lower part.

The petals are never painted a uniform white. Cream, lemon yellow, powder pink and light purple give them relief, while cold and warm greens build the leaves. The signature placed at the bottom right mixes with the foliage.

By removing all context, Monet transforms clematis into an immersive experience: the canvas no longer describes a plant placed in front of the viewer, it surrounds it with flowers and light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A vertical and decorative format

The narrow height follows the growth and fall of the plant. The National Gallery of Victoria highlights the influence of Japanese art and textile designs in this elongated framing.

02

Whites shaped by color

The petals receive yellow, pink, green and mauve notes. These variations suggest shade, transparency and thickness without resorting to neutral gray.

03

A very close depth

Some flowers stand out clearly, others disappear into the foliage. This alternation creates several planes despite the absence of a traditional perspective.

Reference image

Read this specific version

A single exact image of W1144 is used throughout the file and as the sole media for the product. The real WebP measures 556 × 1024 px, best freely accessible reliable public definition identified for this version, preserved without artificial enlargement.

Composition01

Retain total lack of horizon

The plant pattern should fill the canvas to all four edges. Introducing an identifiable background would reduce the enveloping effect of the composition.

Color02

Preserve the colors in the petals

The whites rest on a mosaic of cream, yellow, pink and purple. Making them uniform would cause the luminous vibration of W1144 to lose.

Matter03

Keep areas very dark green

They give the flowers their shine and structure the vertical descent. Without these depths, the composition would become flat and excessively clear.

Documented benchmarks

Three pieces of information specific to this work

The National Gallery of Victoria chronology dedicated to Monet identifies White clematis, oil on canvas from 1887, 92 × 52 cm, kept at the Marmottan Monet Museum under number 5011 and listed as Wildenstein 1144.

Gardening01

A rare plant chosen by Monet for Giverny

In 1887, Monet's passion for gardening asserted itself. He orders specialized and rare species; the new clematis is one of the treasures he introduces into his garden.

Influence02

A format linked to Japanese art and textile design

The vertical elongation and cut pattern at the edges keep the work away from traditional still life. The plant becomes a continuous decorative surface.

Collection03

Legacy of Michel Monet in 1966

White Clematis joins the Marmottan Monet museum with the legacy of the artist's son. The work is inventoried there under number 5011.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1144 version
  • The vertical format of 92 × 52 cm
  • White petals tinged with pink and yellow
  • The dense foliage without sky or horizon

Work sheet

Title White clematis W1144
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 92 × 52 cm
Orientation Vertical
Conservation Marmottan Monet Museum, Paris, France
Inventory 5011 · Wildenstein 1144
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum · inventory 5011

Presentation in your interior

A palette designed with the room

This vertical floral arrangement is suitable between two windows, in an entrance, bedroom or living room. A deep green, off-white or mineral pink wall and a natural setting reinforce its plant tapestry character.

White clematis W1144, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Decorative Paintings French painting – French artists

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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