A strongly off-center composition
The cliff occupies the right, leaving a much more open space on the left. This measured imbalance relates the gravity of the rock to the light extent of the sky.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Pourville near Dieppe · 1882 · W719
A chalk cliff closes the beach to the right under overcast skies, while the pale green sea and several tiny sails open the landscape to the left. Signed and dated Claude Monet 82 lower right, this oil on canvas measuring 59.7 × 81.3 cm is kept at the Carnegie Museum of Art under number 73.3.3 and corresponds to Wildenstein 719.

Look at the work
The rock mass rises in the right third and descends to the beach, where a thin fence indicates the path. On the left, the very low horizon and distant boats provide a vast area of sky laden with clouds.
Blue gray, cream, pink and lilac circulate from the sky to the cliff then to the pebble. The greens remain concentrated on the vegetation and the sea; a few dark lines at the top and in the fence are enough to stabilize the composition.
The covered effect does not remove color: on the contrary, it allows the same pinks, blues and whites to travel from one element to another and unify the entire coast.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The cliff occupies the right, leaving a much more open space on the left. This measured imbalance relates the gravity of the rock to the light extent of the sky.
The whites are neither flat nor uniform. They wrap around with blues, yellows and grays, creating a moving sky that responds to the touches of the pebble.
The site is near Dieppe, but the view is taken in Pourville. The cliff, fence and beach curve precisely distinguish W719 from neighboring views.
Reference image
Only one exact image of W719 is used throughout the file. The real WebP measures 3,000 × 2,169 px, since reduced a public photograph to 3,740 × 2,704 px without artificial enlargement.
Its chalk contains pink, blue, orange and purple. A uniform white would cause strata, shadows and the presence of relief to be lost.
Its features remain fine and partially absorbed by vegetation. Reinforcing them would give too much importance to this secondary element.
Small sails on the left measure maritime opening. They must not become detailed subjects or compete with the cliff.
Documented benchmarks
The Carnegie Museum of Art preserves Cliffs near Dieppe, oil on canvas from 1882, 59.7 × 81.3 cm, inventory 73.3.3 and Wildenstein 719.
Although the title places the work near Dieppe, the view shows the end of Pourville beach, where Monet stayed twice in 1882.
The signature and date are painted in the lower right corner. They confirm the achievement during the Norman campaign of 1882.
The work enters the Carnegie Museum of Art under number 73.3.3. It belongs to the museum's European painting collection in Pittsburgh.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Cliffs near Dieppe W719 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1882 |
| Original technique | Oil on canvas |
| Dimensions | 59.7 × 81.3 cm |
| Orientation | Horizontal |
| Conservation | Carnegie Museum of Art, Pittsburgh, Pennsylvania, United States |
| Inventory | 73.3.3 · Wildenstein 719 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This subtle rib is suitable for a living room, bedroom or office. A pearl gray, sea green or pale pink wall and a discreet frame extend its covered atmosphere.
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