Two bodies leaning
The backs, arms and tools follow the same effort towards the earth. Their different gestures, however, avoid any symmetry.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Vincent van Gogh · October 1889 · Saint-Rémy-de-Provence
Two bent peasants turn over an ocher earth under a pale blue sky: Van Gogh translates a drawing by Jean-François Millet into color.
Look at the work
Deprived of long outings during his stay in the asylum, Van Gogh worked from black and white reproductions sent by Theo. Here he takes up Millet's The Two Diggers, a motif that he had known since its beginnings, but reconstructs the landscape with his own material and his own color.
The two men form opposite diagonals: one advances with its almost horizontal spade, the other rests on a long vertical handle. The field is covered with brown, pink and purple furrows which seem to extend into the tight movements of the sky.
Van Gogh is not looking for an exact copy; he said he translated Millet "into another language", that of color, line and impasto.
Composition, touch and color
The composition retains the monumentality of Millet's workers, but transforms the soil and atmosphere into vibrant surfaces.
The backs, arms and tools follow the same effort towards the earth. Their different gestures, however, avoid any symmetry.
The clods are made of curved and superimposed lines. Ocher, brown, pink and purple give the earth an almost liquid density.
Van Gogh invents the blue of clothes, the yellows of hair and the light of the sky from colorless reproduction.
Documented benchmarks
F648/JH1833 is the large version of the Stedelijk Museum made after Millet, not to be confused with the two men tearing up a stump of F701 in Detroit.
Van Gogh admired the dignity given by Millet to peasant work and studied his Bêcheurs as early as 1880.
Theo sent him engravings and reproductions of Millet; Van Gogh preserved its structure while freely inventing the colored range.
The work is kept at the Stedelijk Museum in Amsterdam under inventory number A 411.
Your reproduction
The painter must preserve the effort of the two bodies, the diversity of the furrows and the vibration of the sky without smoothing the material.
| Title | The Diggers after Millet, F648 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | October 1889 |
| Place of creation | Saint-Rémy-de-Provence |
| Original technique | Oil on paper mounted on canvas |
| Dimensions | Approximately 72 × 93 cm |
| Inventory | Stedelijk Museum A 411 · F648 · JH1833 |
| Conservation | Stedelijk Museum, Amsterdam |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format and mineral tones are suitable for an office, library or living room. Browns and blues go well with raw wood, linen and stone.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain reference image was reduced to 3000 × 2380 px and then converted to WebP, without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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