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The Water Lilies Basin, private collection W1897 - Claude Monet

The Water Lilies Basin, private collection W1897 - Claude Monet

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The Water Lilies Basin, private collection W1897 - Claude Monet

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The Water Lilies Basin, private collection W1897 - Claude Monet
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The Water Lilies Basin, private collection W1897 - Claude Monet

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Claude Monet · 1917 -1919 · private collection · W1897

The Water Lilies Basin, private collection W1897hand painted reproduction

A pink and light blue gap crosses the pool between two almost black masses of vegetation. On the left, red flowers punctuate yellow-green leaves; on the right, a few pink water lilies float in front of a very dense vertical reflection. This large two-meter canvas thus opposes a moving central light to deep aquatic banks.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin, private collection W1897 - Claude Monet - full view
The Water Lilies Basin, private collection W1897Claude Monet · 1917 -1919
1917 - 1919Dating
100 × 200 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1897Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A bright opening splits the surface between two areas of dark vegetation

The composition shows neither sky nor shore. The leaves mainly cover the sides, with maximum density in the lower left quarter and around the dark reflection on the right. The center remains more open: pale pink, cobalt blue, mauve and orange passages describe the water without drawing a traditional perspective.

The flowers are not distributed regularly. A bright red group enlivens the upper left, a few pink corollas stand out near the right edge, then small isolated accents descend towards the foreground. The signature, worn at the bottom right, remains taken in the brown-green tones of the border.

Depth arises less from an absent horizon than from the alternation between clear water, thick leaves and almost opaque vertical reflections.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Le Bassin aux nymphéas, private collection W1897 - Claude Monet
01

A clear axis deliberately irregular

The central passage is neither a river nor a path. Its pink, blue and orange curves constantly change width and must remain mixed with the leaves which interrupt them.

02

Two obscurities of different nature

On the left, the dark mass is fragmented by yellow leaves and red flowers. On the right, it takes the form of a continuous vertical reflection, crossed by emerald green and blue.

03

Water lilies painted on several scales

The large leaves in the foreground have brown edges and yellow-green centers. Higher up, the shapes are reduced to quick touches, which is enough to create distance on a surface without horizons.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Red flowers and light on the left side - detail from Le Bassin aux nymphéas, private collection W1897 - Claude Monet
Red flowers and light on the left sideCropping reveals red, purple and yellow impasto placed on very varied greens. The central pink band remains visible between the leaves without forming a closed outline.
The dark reflection and the large leaves in the foreground - detail from Le Bassin aux nymphéas, private collection W1897 - Claude Monet
The dark reflection and the large leaves in the foregroundOn the right, the green and blue verticals descend behind leaves surrounded by brown. The pink flowers at the top give a measure to this much denser area.

The Sotheby's catalog view measures 2000 × 1027 px. The two details of 950 × 900 px are native cropping of this photograph, without artificial enlargement. All three files were converted and controlled as real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

A canvas of 100 × 200 cm, Wildenstein 1897

Sotheby's dates the work from 1917 -1919, specifies that it is painted in oil on canvas and that it bears a Claude Monet signature at the bottom right. It is reproduced under number 1897 in the 1985 and 1996 editions of the catalog raisonné.

Provenance02

From Michel Monet to American collections

Remaining in Giverny with Michel Monet, the painting passed through the Maeght Gallery then Sam Salz in 1965. It then belonged in particular to the Matthaei, the Fran & Ray Stark Foundation and a New York collection which acquired it around 2006.

Exhibitions03

From the Metropolitan Museum to the Kimbell Art Museum

The work was shown at the Metropolitan Museum in 1966 and 1968, at the Los Angeles County Museum of Art in 1991, then in Monet: The Late Years in Fort Worth and San Francisco in 2019. It was reported on loan to the Kimbell from 2019.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The precise version of 100 × 200 cm, Wildenstein catalog 1897
  • Pink and blue opening kept bright but discontinuous
  • The two dark sides differentiated by their direction of touch
  • Red, pink and yellow flowers preserved on their respective scales

Work sheet

Title The Water Lilies Basin, private collection W1897
Artist Claude Monet (1840 -1926)
Date 1917 - 1919
Original technique Oil on canvas
Dimensions 100 × 200 cm
Orientation Panoramic horizontal
Conservation Private collection, New York, United States
Inventory Wildenstein 1897
Your reproduction Handmade oil painting on canvas
Consult the official notice - Sotheby's, lot 1010

Presentation in your interior

A palette designed with the room

Deep green, cobalt blue, powder pink, carmine red and olive yellow produce a full and enveloping presence. This panoramic reproduction requires a long wall, above a sofa or sideboard, with side light that reveals contrasts in material.

The Water Lilies Basin, private collection W1897, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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