A gradual transition between three climates
Each panel has its dominant, but none should appear isolated. The blues of the first return to the center and the yellows of the center announce the red-green of the last.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1926 · MoMA · W1972 -1974
Three panels and nearly thirteen meters of paint make the shore and the horizon disappear. On the left, the blues become deep; in the center, bright green water opens under reflections of lavender clouds; on the right, red and green vegetation gradually absorbs the sky. The actual photograph of MoMA restores the sequence of the whole.

Look at the work
The left panel is the darkest. Deep blues and almost black greens surround small water lily leaves, then the light increases as the gaze reaches the central panel. There, the cloud reflections take on cream, pink and lavender tones above a turquoise blue area.
In the right panel, the vegetation thickens. The red, orange and green touches descend from the upper edge and mix with the floating leaves. The connections between the three canvases remain perceptible, but the shapes and colors pass through them and require continuous reading.
The absence of horizon transforms the triptych into an environment: we no longer look at the pool from the outside, we move visually inside its reflections.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Each panel has its dominant, but none should appear isolated. The blues of the first return to the center and the yellows of the center announce the red-green of the last.
The cream and lavender areas are reflections placed on the water. Their material must remain linked to the leaves and horizontal touches so as not to create a separate sky.
Broad gestures can be read as water, plants or pure paint. Faithful reproduction retains this ambiguity and avoids inventing contours around each water lily.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The actual photograph of the triptych at MoMA measures 4,273 × 817 px. The full view and two details of 1,700 × 817 px remain at their native definition, without enlargement. The files are real WebPs and the photography is credited according to its CC BY 2.5 license.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The triptych is an oil on canvas composed of three panels. Each measures 200 × 424.8 cm; the whole reaches 200 × 1,276 cm and corresponds to numbers 1972, 1973 and 1974 of the catalog raisonné.
MoMA connects the whole thing to the forty or so large panels that Monet produced and reworked during the last twelve years of his life. The new Giverny workshop allowed him to tackle these formats that were impossible to easily move in front of the pool.
The whole remained with Monet, then passed to his son Michel in 1926. It was sold to Katia Granoff in 1956 and acquired by MoMA in 1959 thanks to Mrs. Simon Guggenheim Fund. It is now presented in gallery 515.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Water lilies, MoMA triptych W1972 -1974 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1926 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 1,276 cm in total |
| Orientation | Panoramic triptych |
| Conservation | Museum of Modern Art (MoMA), New York, United States |
| Inventory | 666.1959.a -c · Wildenstein 1972 -1974 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Deep blue, turquoise, lavender cream, moss green and earth red give this reproduction an immersive presence. The panoramic format requires a long, clear wall, ideally above a base unit, with regular side light.
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