An off-center arch that remains light
The curve of the bridge must retain its variations in width and its blue-purple passages. A line that is too clear or too white would harden this structure that Monet deliberately mixes with the foliage.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Giverny, 1899 · Musée d'Orsay · W1515
A blue-green footbridge crosses the water garden like a flexible arch. Above, the willows and flowerbeds meet in a luminous curtain; below, the pink and white water lilies unfold in layers between the reflections. In this almost square version from 1899, Monet balances the structure of the bridge and the colorful instability of the surface.

Look at the work
The walkway climbs from both edges and places its highest point slightly to the right of center. Its uprights are never a single color: lavender blue, sea green and light gray alternate with a darker shadow under the apron. On the left, the willow branches fall in long vertical marks; on the right, the foliage fragments into small cream, green and blue touches.
In the pond, the flowers form three successive zones. A first tight strip slides just under the bridge, a second crosses the center, then a few wider water lilies advance into the foreground. The vertical reflections of the trees cut these floral horizontals. The gaze thus oscillates between the depth of the garden and the flat surface of the canvas.
Green harmony does not come from a uniform dominant color, but from the way blues, yellows, pinks and greens respond to each other without breaking the unity of the garden.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The curve of the bridge must retain its variations in width and its blue-purple passages. A line that is too clear or too white would harden this structure that Monet deliberately mixes with the foliage.
The long fallout of the willow and its reflections cross the water lily sheets. This opposition of directions organizes depth without resorting to a drawn perspective.
The red-brown of the signature and date, in the lower right corner, responds to the small pink flowers. It must remain present without becoming more contrasted than floral accents.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The main view measures 1,300 × 1,242 px. An actual photograph taken in front of the work at the Musée d'Orsay measures 1,257 × 1,202 px; the detail of 850 × 850 px comes directly from the main view. No files have been artificially enlarged and all three media are real decodable WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The Musée d'Orsay dates this oil on canvas from 1899, gives it the number RF 2004 and indicates a format of 89.5 × 92.5 cm. It corresponds to number 1515 of the Wildenstein catalog raisonné.
Monet devoted the summer of 1899 to a first suite built around the Giverny footbridge. From one canvas to another, the same pattern changes with light, the density of the foliage and the distribution of water lilies.
Durand-Ruel bought the painting from Monet in November 1900, then Isaac de Camondo acquired it the next day. His legacy to the State in 1911 led the work to national collections before its entry into the Musée d'Orsay in 1986.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin, Orsay W1515 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1899 |
| Original technique | Oil on canvas |
| Dimensions | 89.5 × 92.5 cm |
| Orientation | Almost square |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 2004 · Wildenstein 1515 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Willow green, lavender blue, powder pink, moss yellow and deep green provide a very nuanced plant light. This almost square reproduction is suitable for a living room, bedroom or entrance, with light oak, ecru linen and soft side light.
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