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Mount Kolsås, Nasjonalmuseet W1407 - Claude Monet

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Mount Kolsås, Nasjonalmuseet W1407 - Claude Monet

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Mount Kolsås, Nasjonalmuseet W1407 - Claude Monet

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Mount Kolsås, Nasjonalmuseet W1407 - Claude Monet

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Claude Monet · 1895 · Nasjonalmuseet NMK.DEP.2019.0010 · W1407

Mount Kolsås, Nasjonalmuseet W1407hand painted reproduction

Mount Kolsås stands like an almost black mass above a wide field of light blue snow. Monet simplifies the relief into two rounded peaks and a long compact forest, then lets the pink, yellow and turquoise sky lighten the whole. The W1407 composition is stronger and more contrasted than several other variants in the series.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Mount Kolsås, Nasjonalmuseet W1407 - Claude Monet - full view
Mount Kolsås, Nasjonalmuseet W1407Claude Monet · 1895
1895Dating
65.4 × 100.5 cmDimensions of the original
Oil on canvasOriginal technique
NMK.DEP.2019.0010 · Wildenstein 1407Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A dark and compact mountain emerges between a pastel sky and luminous snow

The silhouette of Kolsås occupies the entire median width. The main summit is on the right, a second lower relief responds to the left. Purple and blue bands suggest rock and snow without detailing the geology.

The forest forms an almost continuous fringe at the foot of the massif. The foreground, much lighter, contains some dark touches and blue-gray passages. The sky warms the landscape with very pale pinks and yellows.

Monet does not seek topographical precision: he opposes three densities - sky, mountain and snow - to render the presence of Kolsås.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A series painted in Bærum in 1895

From the Sandvika region, Monet returns to Kolsås in different times. The repetition of the pattern allows him to measure variations in snow, mist and northern light.

02

A very assertive mass relationship

The dark massif weighs in the center, while the sky and the foreground breathe around it. This opposition must remain strong without transforming the forest into a uniform black band.

03

The mountain shaped by color

Overseas blue, purple, dark green and cool pink describe the slopes. The visible touches give the top its material; smoothing them would cause it to lose its vibration and relief.

Reference image

Read this specific version

The single reference image measures 3,840 × 2,492 px. It comes from Nasjonalmuseet and was reduced from a larger source, then encoded in WebP without any enlargement.

Composition01

Two asymmetrical vertices

The main relief is located on the right and dominates a shoulder lower on the left. Their gap gives the Kolsås its recognizable silhouette and must be preserved in all formats.

Color02

Midnight blue, snow pink and black green

The palette is based on very different values but linked colors. The pink of the sky returns to the snow and certain purples of the massif, which avoids a cut that is too hard.

Matter03

A forest painted by short impasto

The foot of the mountain is constructed by vertical and oblique markings. Their irregularity suggests trees while maintaining continuity of mass.

Documented benchmarks

Three pieces of information specific to this work

These references concern the canvas exhibited at Nasjonalmuseet under the number NMK.DEP.2019.0010 and cataloged Wildenstein 1407.

Identification01

Nasjonalmuseet NMK.DEP.2019.0010, W1407

This oil on canvas from 1895 measures 65.4 × 100.5 cm. The museum catalogs it as a view of Kolsås, in Bærum, and specifies the Norwegian motif Kolsåstoppen.

Status02

Loan from Sparebankstiftelsen DNB

The work belongs to the Fine Art Collections of Sparebankstiftelsen DNB and has been deposited at the Nasjonalmuseet since 2019.

Series03

A darker variation of the massif

W1407 is distinguished from misty or pink versions by the blue-black density of the mountain and the forest. The pastel sky and the clear foreground reinforce its monumentality.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version NMK.DEP.2019.0010, Wildenstein 1407
  • The original horizontal ratio of 65.4 × 100.5 cm
  • The asymmetry of the two peaks and the forest strip
  • The dark mountain balanced by pastel skies and bluish snow

Work sheet

Title Mount Kolsås, Nasjonalmuseet W1407
Artist Claude Monet (1840 -1926)
Date 1895
Original technique Oil on canvas
Dimensions 65.4 × 100.5 cm
Orientation Horizontal
Conservation Nasjonalmuseet, loan from Sparebankstiftelsen DNB, Oslo, Norway
Inventory NMK.DEP.2019.0010 · Wildenstein 1407
Your reproduction Handmade oil painting on canvas
Consult the official notice - Nasjonalmuseet

Presentation in your interior

A palette designed with the room

Midnight blue, fir green, cold pink, ivory and snow blue give this reproduction a calm strength. Its horizontal format is suitable for a living room, office or bedroom with natural materials.

Mount Kolsås, Nasjonalmuseet W1407, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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