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Nymphéas de Claude Monet, 1914–1926 – triptyque du MoMA 666.1959.a-c, Wildenstein 1972–1974

Water lilies, MoMA triptych W1972 -1974 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · 1914 -1926 · MoMA · W1972 -1974

Water lilies, MoMA triptych W1972 -1974hand painted reproduction

Three panels and nearly thirteen meters of paint make the shore and the horizon disappear. On the left, the blues become deep; in the center, bright green water opens under reflections of lavender clouds; on the right, red and green vegetation gradually absorbs the sky. The actual photograph of MoMA restores the sequence of the whole.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, MoMA triptych W1972 -1974 - Claude Monet - full view
Water lilies, MoMA triptych W1972 -1974Claude Monet · 1914 -1926
1914 - 1926Dating
200 × 1,276 cm in totalDimensions of the original
Oil on canvasOriginal technique
666.1959.a -c · Wildenstein 1972 -1974Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three panels take the eye from blue shadow to red and green vegetation

The left panel is the darkest. Deep blues and almost black greens surround small water lily leaves, then the light increases as the gaze reaches the central panel. There, the cloud reflections take on cream, pink and lavender tones above a turquoise blue area.

In the right panel, the vegetation thickens. The red, orange and green touches descend from the upper edge and mix with the floating leaves. The connections between the three canvases remain perceptible, but the shapes and colors pass through them and require continuous reading.

The absence of horizon transforms the triptych into an environment: we no longer look at the pool from the outside, we move visually inside its reflections.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Water Lilies, MoMA triptych W1972 -1974 - Claude Monet
01

A gradual transition between three climates

Each panel has its dominant, but none should appear isolated. The blues of the first return to the center and the yellows of the center announce the red-green of the last.

02

Reflections of clouds without visible sky

The cream and lavender areas are reflections placed on the water. Their material must remain linked to the leaves and horizontal touches so as not to create a separate sky.

03

A surface on the threshold of abstraction

Broad gestures can be read as water, plants or pure paint. Faithful reproduction retains this ambiguity and avoids inventing contours around each water lily.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The left panel, photographed at MoMA - detail of Water Lilies, MoMA triptych W1972 -1974 - Claude Monet
The left panel, photographed at MoMAThe real view shows the deep blues, green touches and the shift to cream highlights of the center. Photography Stephen Sandoval, February 2009, Wikimedia Commons, CC BY 2.5.
The straight panel and dense vegetation - detail of Water Lilies, MoMA triptych W1972 -1974 - Claude Monet
The straight panel and the dense vegetationReds, greens and yellows invade the surface while the water lilies remain more spaced apart. The cropping comes from the same actual photograph of the triptych at MoMA.

The actual photograph of the triptych at MoMA measures 4,273 × 817 px. The full view and two details of 1,700 × 817 px remain at their native definition, without enlargement. The files are real WebPs and the photography is credited according to its CC BY 2.5 license.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

MoMA 666.1959.a -c, Wildenstein 1972 -1974

The triptych is an oil on canvas composed of three panels. Each measures 200 × 424.8 cm; the whole reaches 200 × 1,276 cm and corresponds to numbers 1972, 1973 and 1974 of the catalog raisonné.

Great Decoration02

A project taken up in 1914 and worked until 1926

MoMA connects the whole thing to the forty or so large panels that Monet produced and reworked during the last twelve years of his life. The new Giverny workshop allowed him to tackle these formats that were impossible to easily move in front of the pool.

Provenance03

From Giverny's workshop to MoMA in 1959

The whole remained with Monet, then passed to his son Michel in 1926. It was sold to Katia Granoff in 1956 and acquired by MoMA in 1959 thanks to Mrs. Simon Guggenheim Fund. It is now presented in gallery 515.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact three panels 666.1959.a -c and W1972 -1974
  • The total panoramic ratio of 200 × 1,276 cm
  • The transition continues from dark blue to reds and greens
  • The junctions visible without breaking the movement of reflections

Work sheet

Title Water lilies, MoMA triptych W1972 -1974
Artist Claude Monet (1840 -1926)
Date 1914 - 1926
Original technique Oil on canvas
Dimensions 200 × 1,276 cm in total
Orientation Panoramic triptych
Conservation Museum of Modern Art (MoMA), New York, United States
Inventory 666.1959.a -c · Wildenstein 1972 -1974
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Modern Art

Presentation in your interior

A palette designed with the room

Deep blue, turquoise, lavender cream, moss green and earth red give this reproduction an immersive presence. The panoramic format requires a long, clear wall, ideally above a base unit, with regular side light.

Water lilies, MoMA triptych W1972 -1974, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Water lilies, MoMA triptych W1972 -1974 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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