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L’Étang à Montgeron W420 par Claude Monet, 1876, musée de l’Ermitage
  • L’Étang à Montgeron W420 par Claude Monet, 1876, musée de l’Ermitage
  • L’Étang à Montgeron W420 par Claude Monet, 1876, musée de l’Ermitage
Pond at Montgeron - Claude Monet

Pond at Montgeron - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Eau et littoraux impressionnistes French painting – French artists Hermitage Museum Impressionist Impressionist Landscapes Japonism

Artwork description

Reproduction details

Claude Monet · A monumental decorative panel circa 1876 · Hermitage

The Pond in Montgeron W420hand painted reproduction

The surface of the pond fills almost two-thirds of the canvas and repeats the trunks, sky and foliage in broken reflections. On the opposite bank, a woman stands near a tree, fishing rod in hand, while two small figures appear further away. Monet transforms a scene from the Montgeron estate into a large panel where the gaze oscillates between natural depth and decorative surface.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
L'Étang à Montgeron W420 - Claude Monet - full view
The Pond in Montgeron W420Claude Monet · Around 1876
Around 1876Dating
173 × 194 cmDimensions of the original
Oil on canvasOriginal technique
ʻilt-6562 · Wildenstein 420Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The reflection becomes the true center of the panel

The bank forms a narrow strip above the middle. On the left, a clump of trees is crossed by a yellow and white light; on the right, oblique trunks enclose the silhouette of a woman dressed in blue-gray. The characters are absorbed by vegetation rather than presented as an autonomous subject.

In the water, the same elements are overturned and fragmented. The clear passage of the sky stretches to the left, a dark trunk descends almost to the lower edge and the greens of the bank become floating touches. Monet simultaneously paints what is in front of him and what the pond transforms.

The shore describes a place; the reflection, much larger, makes it an experience of light, movement and matter.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An unusual scale for Monet in 1876

At 173 × 194 cm, the canvas is not a small outdoor study. It is designed to dialogue with the architecture of the living room of the Château de Rottembourg.

02

A deliberately high bank line

By placing the bank above the center, Monet gives the majority of the surface to the pond mirror. The real landscape almost becomes the prelude to its reflection.

03

Water-transformed verticals

The trees on the bank are strong but their doubles lengthen, shift and break. The horizontal touches of the water prevent any mechanical symmetry.

Reference image

Read this specific version

The single reference is a direct photograph of the painting taken at the Louis Vuitton Foundation during the Morozov exhibition in 2021. Jean-Pierre Dalbéra's file, under CC BY 2.0 license, was reduced from 5,627 × 4,966 to 3 000 × 2,648 px, then encoded in WebP.

Composition01

An almost hidden figure on the bank

The Hermitage indicates that the woman with the cane could be Alice Hoschedé, future second wife of Monet. Its silhouette merges with the trunks and foliage.

Color02

A yellow light at the bottom of the trees

The left central passage is the brightest focus. Yellows, whites and mauves overlap before reappearing, colder and more fragmented, in the water.

Matter03

A visible touch on the scale of the decor

The gestures are broad and juxtaposed, adapted to large format. They remain readable up close but recompose leaves, water and light from a distance.

Documented benchmarks

Three pieces of information specific to this work

This monumental panel of approximately 173 × 194 cm, painted around 1876, is kept in the Hermitage Museum under the inventory ʻonds-6562 and classified Wildenstein 420.

Order01

Four panels for Ernest Hoschedé

The financier and collector ordered from Monet a set intended for the large salon of his castle of Rottembourg in Montgeron. The Pond was to interact with a corner of the garden, turkeys and a hunting scene.

Method02

A large format developed from a study

The panel exceeds the practical dimensions of the outdoors. Hermitage documentation indicates that Monet painted it in the workshop from a study carried out in front of the motif.

Collection03

From the Morozov collection to the Hermitage

After Ernest Hoschedé and the Vollard gallery, Ivan Morozov acquired the work in 1907. Nationalized after the Revolution, she entered the Hermitage in 1931.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the high edge line so that the reflection retains the majority of the composition.
  • Preserve Alice's silhouette and the two small figures without making them too clear.
  • Maintain horizontal breaks that differentiate the reflections of real trees.
  • Restore the yellow-white shine of the undergrowth to the cold greens and violets of the water.

Work sheet

Title The Pond in Montgeron W420
Artist Claude Monet (1840 -1926)
Date Around 1876
Original technique Oil on canvas
Dimensions 173 × 194 cm
Orientation Horizontal
Conservation State Hermitage Museum, St. Petersburg, Russia
Inventory ʻilt-6562 · Wildenstein 420
Your reproduction Handmade oil painting on canvas
Consult the official notice - Hermitage Museum - work 28484, inventory ʻilt-6562

Presentation in your interior

A palette designed with the room

This ample and almost immersive composition is suitable for a large living room, hall or dining room. A bronze, dark oak or patinated gold frame accompanies its deep greens and silver reflections.

L'Étang à Montgeron W420, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Pond at Montgeron - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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