Oil reproduction - Monet's W565 Debacle

Name: The Debacle or The Ice Cubes W565 - Claude Monet
Brand: Alpha Reproduction
SKU: LA_D_B_CLE_50x85
Price: 299.0 EUR
Availability: InStock

La Débâcle ou Les Glaçons W565 par Claude Monet, University of Michigan Museum of Art

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The Debacle or The Ice Cubes W565 - Claude Monet

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Claude Monet · Vétheuil · 1880 · W565

The Debacle or The Ice Cubes W565hand painted reproduction

The Seine narrows to the left between snow-capped hills, then widens towards the viewer under a line of bare trees. Plates of clear ice drift horizontally and intersect the vertical reflections of the trunks, creating an unstable pattern on the water. This oil on canvas measuring 60.33 × 99.70 cm, Wildenstein 565, is kept at the University of Michigan Museum of Art under number 1976/2.134.

Oil on canvasHand paintedPhoto before shipmentPossible alterations

The Debacle or The Ice Cubes W565 - Claude Monet - full view — **The Debacle or The Ice Cubes W565**Claude Monet · 1880

1880Dating

60.33 × 99.70 cmDimensions of the original

Oil on canvasOriginal technique

1976/2.134 · Wildenstein 565Inventory

A real paintingThe canvas is painted, never printed.

Created for youEach copy is made to order.

Controlled in photoYou see the finished painting before it leaves.

Touch-ups includedAdjustments are made before shipping.

Look at the work

Vertical reflections and horizontal ice cubes form a grid over the Seine

The river opens the depth to the left, between a dark bank and a pale hill. In the center, the curtain of trees partially closes the horizon; in the foreground, the surface takes over and divides into strips of water, ice and light.

Snowy hills combine white, mauve and blue gray. In the water, deep greens, browns and blues respond to the trunks, while the ice cubes receive cream and pink touches that separate them without hardening them.

This version holds two opposing readings together: a landscape that recedes towards the hills and an almost abstract surface where vertical and horizontal lines constantly bring the eye back towards the canvas.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

An open depth on the left

The Seine moves away in a narrow passage, but the central bank and its trees interrupt the escape. This construction maintains the distance without letting the eye leave the surface of the river.

The meeting of ice cubes and reflections

Horizontal plates cut through the dark columns of trees. Monet exploits this contradiction to render both the movement of water and the floating matter of ice.

Hills as a reserve of light

The snowy slopes behind the trees prevent the bank from becoming an opaque wall. Their mauves and blues make the cold passages in the foreground resonate.

Reference image

Read this specific version

The only reference photograph is preserved at its native definition of 2993 × 1869 px then encoded in real WebP, without artificial enlargement.

Composition01

Keep the river opening to the left

It establishes the only deep recoil of the composition and distinguishes W565 from versions where the bank crosses the entire horizon.

Color02

Preserve the irregular grid of water

Vertical reflections should not erase horizontal plates; their superposition is precisely the visual heart of this canvas.

Matter03

Keep snowy hills behind trees

These clear shapes remain discreet but give breathing deep and distribute the light beyond the ice cubes.

Documented benchmarks

Three pieces of information specific to this work

The University of Michigan Museum of Art documents The Break-up of the Ice, also titled The Debacle or The Ice Cubes, oil on canvas from 1880, inventory 1976/2.134 and Wildenstein 565.

Event01

The sudden thaw of the Seine in January 1880

The winter of 1879-1880 was exceptionally harsh. When the ice breaks, the plates drift, damage the banks and give Monet a changing pattern that he follows for several weeks.

Together02

About twenty studies of the debacle

Monet varies the views, river widths and lighting effects. W565 can be recognized by its opening on the left, its clear hills and the central curtain of trees.

Acquisition03

Entered the museum in 1976

The work was acquired thanks to the generosity of Russell B. Stearns and Andree B. Stearns; it bears the number 1976/2.134.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

The Wildenstein 565 version
The Seine which moves back to the left
The snowy hills behind the trees
The grid of reflections and ice sheets

Work sheet

Title	The Debacle or The Ice Cubes W565
Artist	Claude Monet (1840 -1926)
Date	1880
Original technique	Oil on canvas
Dimensions	60.33 × 99.70 cm
Orientation	Horizontal
Conservation	University of Michigan Museum of Art, Ann Arbor, United States
Inventory	1976/2.134 · Wildenstein 565
Your reproduction	Handmade oil painting on canvas

Consult the official notice - University of Michigan Museum of Art · 1976/2.134

Presentation in your interior

A palette designed with the room

This panoramic landscape is suitable for a living room, dining room or office. A blue-gray, deep green or linen wall and a dark setting accompany the tension between light ice, trees and reflective water.

01 Le plus fidèle aux détails

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation: Sans cadre, cadre classique ou cadre Box
Fabrication indicative: 1 à 4 jours ouvrés

02 Le plus décoratif

Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré — Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation: Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative: 2 à 5 jours ouvrés*

03 Le plus artisanal

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation: Toile roulée, sans châssis ni cadre
Réalisation indicative: Environ 14 jours
Acheminement: FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

À propos de l’œuvre

La Débâcle, par Claude Monet