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La Débâcle ou Les Glaçons W565 par Claude Monet, University of Michigan Museum of Art

The Debacle or The Ice Cubes W565 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Vétheuil · 1880 · W565

The Debacle or The Ice Cubes W565hand painted reproduction

The Seine narrows to the left between snow-capped hills, then widens towards the viewer under a line of bare trees. Plates of clear ice drift horizontally and intersect the vertical reflections of the trunks, creating an unstable pattern on the water. This oil on canvas measuring 60.33 × 99.70 cm, Wildenstein 565, is kept at the University of Michigan Museum of Art under number 1976/2.134.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Debacle or The Ice Cubes W565 - Claude Monet - full view
The Debacle or The Ice Cubes W565Claude Monet · 1880
1880Dating
60.33 × 99.70 cmDimensions of the original
Oil on canvasOriginal technique
1976/2.134 · Wildenstein 565Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Vertical reflections and horizontal ice cubes form a grid over the Seine

The river opens the depth to the left, between a dark bank and a pale hill. In the center, the curtain of trees partially closes the horizon; in the foreground, the surface takes over and divides into strips of water, ice and light.

Snowy hills combine white, mauve and blue gray. In the water, deep greens, browns and blues respond to the trunks, while the ice cubes receive cream and pink touches that separate them without hardening them.

This version holds two opposing readings together: a landscape that recedes towards the hills and an almost abstract surface where vertical and horizontal lines constantly bring the eye back towards the canvas.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An open depth on the left

The Seine moves away in a narrow passage, but the central bank and its trees interrupt the escape. This construction maintains the distance without letting the eye leave the surface of the river.

02

The meeting of ice cubes and reflections

Horizontal plates cut through the dark columns of trees. Monet exploits this contradiction to render both the movement of water and the floating matter of ice.

03

Hills as a reserve of light

The snowy slopes behind the trees prevent the bank from becoming an opaque wall. Their mauves and blues make the cold passages in the foreground resonate.

Reference image

Read this specific version

The only reference photograph is preserved at its native definition of 2993 × 1869 px then encoded in real WebP, without artificial enlargement.

Composition01

Keep the river opening to the left

It establishes the only deep recoil of the composition and distinguishes W565 from versions where the bank crosses the entire horizon.

Color02

Preserve the irregular grid of water

Vertical reflections should not erase horizontal plates; their superposition is precisely the visual heart of this canvas.

Matter03

Keep snowy hills behind trees

These clear shapes remain discreet but give breathing deep and distribute the light beyond the ice cubes.

Documented benchmarks

Three pieces of information specific to this work

The University of Michigan Museum of Art documents The Break-up of the Ice, also titled The Debacle or The Ice Cubes, oil on canvas from 1880, inventory 1976/2.134 and Wildenstein 565.

Event01

The sudden thaw of the Seine in January 1880

The winter of 1879-1880 was exceptionally harsh. When the ice breaks, the plates drift, damage the banks and give Monet a changing pattern that he follows for several weeks.

Together02

About twenty studies of the debacle

Monet varies the views, river widths and lighting effects. W565 can be recognized by its opening on the left, its clear hills and the central curtain of trees.

Acquisition03

Entered the museum in 1976

The work was acquired thanks to the generosity of Russell B. Stearns and Andree B. Stearns; it bears the number 1976/2.134.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 565 version
  • The Seine which moves back to the left
  • The snowy hills behind the trees
  • The grid of reflections and ice sheets

Work sheet

Title The Debacle or The Ice Cubes W565
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 60.33 × 99.70 cm
Orientation Horizontal
Conservation University of Michigan Museum of Art, Ann Arbor, United States
Inventory 1976/2.134 · Wildenstein 565
Your reproduction Handmade oil painting on canvas
Consult the official notice - University of Michigan Museum of Art · 1976/2.134

Presentation in your interior

A palette designed with the room

This panoramic landscape is suitable for a living room, dining room or office. A blue-gray, deep green or linen wall and a dark setting accompany the tension between light ice, trees and reflective water.

La Débâcle or Les Glaçons W565, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
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The Debacle or The Ice Cubes W565 - Claude Monet
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70 cm
390 cm

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