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Meules, milieu du jour W1271 de Claude Monet – National Gallery of Australia 29073

Grinding wheels, midday W1271 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Giverny · 1890 · W1271

Grinding wheels, midday W1271hand painted reproduction

Two gerbiers stand out in the full midday sun: the largest dominates the right and casts a blue-gray shadow, while the second is cut by the left edge. This oil on canvas measuring 65.6 × 100.6 cm, painted in 1890, is kept in the National Gallery of Australia under number 29073 and corresponds to Wildenstein 1271.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheels, midday W1271 - Claude Monet - full view
Grinding wheels, midday W1271Claude Monet · 1890
1890Dating
65.6 × 100.6 cmDimensions of the original
Oil on canvasOriginal technique
29073 · Wildenstein 1271Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The vertical sun simplifies volumes and reveals colorful shadows

The large gerbier rises almost to the center, but its mass is shifted to the right. On the left, the partially off-camera shape brings the viewer closer; between the two, the light field leads towards a line of trees and very pale hills.

The pinkish yellow light barely crushes the details: it transforms them into touches. The shadows contain blue, lilac and green, while the straw receives ocher, orange and cream. The temperature difference builds volume.

W1271 does not represent just two gerbiers in the middle of the day: the canvas measures the strength of the sun by the length, color and density of their shadows.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Asymmetrical framing

The left gerbier is cut by the edge and the main one is slightly off-center. This distribution avoids static composition and creates immediate proximity.

02

Shadow as second motive

The shadow of the large gerbier extends towards the foreground in blue-gray. Its surface counts as much as the mass of straw and records the time in the composition.

03

The Giverny series

The National Gallery links this painting to the systematic study of the same shepherds under different lights and seasons. W1271 belongs to the core painted after the 1890 harvest.

Reference image

Read this specific version

Only one reference image is used. The exact scan of W1271 is provided in true WebP of 3000 × 1945 px, without artificial enlargement.

Composition01

Two volumes of different scale

The small left shape and the large right gerbier must maintain their exact ratio so that the field recedes naturally.

Color02

Blue shadows under yellow light

Additional contrast is essential. A gray or black shadow would remove the midday feeling.

Matter03

A tight touch in the straw

Brushstrokes follow the cone and base of the gerbier, then become more horizontal and lighter in the field.

Documented benchmarks

Three pieces of information specific to this work

The National Gallery of Australia documents Grindstones, Midday, Oil on Canvas 1890, 65.6 × 100.6 cm, Inventory 29073 and Wildenstein 1271.

Collection01

Purchased in 1979

The National Gallery acquired the painting in 1979. It is today considered one of the major paintings in the Australian national collection.

Subject02

Gerbaria rather than hay

The conical shapes protect against sprays of unbeaten cereals. The French term Meules has long been translated too generally by Haystacks.

Method03

The same pattern at several times

Monet takes over the site in order to directly compare the transformations produced by the time, climate and season.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Version 29073, Wildenstein 1271
  • The large gerbier off-center to the right
  • The blue-gray shadow projected in the foreground
  • The second gerbier cut by the left edge

Work sheet

Title Grinding wheels, midday W1271
Artist Claude Monet (1840 -1926)
Date 1890
Original technique Oil on canvas
Dimensions 65.6 × 100.6 cm
Orientation Horizontal
Conservation National Gallery of Australia, Canberra, Australia
Inventory 29073 · Wildenstein 1271
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Gallery of Australia · 29073

Presentation in your interior

A palette designed with the room

The panoramic format and softened yellows are suitable for a living room or dining room. A linen wall, light oak and lavender or gray blue textiles extend the shadows without cooling the whole.

Grinding wheels, midday W1271, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Grinding wheels, midday W1271 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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You choose the size

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We paint the canvas

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3

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