The Turkeys W416 - Claude Monet

The Turkeys W416 - Claude Monet

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The Turkeys W416 - Claude Monet

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The Turkeys W416 - Claude Monet
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The Turkeys W416 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · A decorative panel from Montgeron · Musée d'Orsay

The Turkey W416hand painted reproduction

A troop of turkeys advance through the shaded grass, their white and pink plumages capturing the shards of the sun. Behind them, the park opens towards the castle of Rottembourg. Monet gives this familiar subject the dimensions and scale of a monumental setting.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Dindons W416 - Claude Monet - full view
The Turkey W416Claude Monet · 1877
1877Dating
174 × 172.5 cmDimensions of the original
Oil on canvasOriginal technique
RF 1944 18 · Wildenstein 416Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The group's movement enlivens the entire lawn

The birds occupy the foreground in a curve that goes up from left to right. Their bodies overlap, alternating large white masses, gray wings and small red heads. No turkey is treated as an isolated portrait: it is the troop that builds the rhythm.

The trees form a dark screen on the sides and open up a perspective towards the light facade of the castle. Sunspots run through the grass and plumages. Blue, pink and green touches modulate the whites instead of leaving them uniform.

Monet elevates a barnyard scene to the rank of a grand setting by circulating light from one plumage to another.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An in-depth procession

The larger birds enter from below, while the following ones decrease towards the castle. Their overlaps give a continuous depth to the square.

02

Whites full of color

Pink, blue, gray and cream make up the illuminated plumages. The red of the heads acts as repeated punctuation.

03

The castle seen through the park

The facade is not the main subject. Its clear geometry, placed at the bottom, measures the extent of the lawn and the height of the trees.

Reference image

Read this specific version

The unique reference corresponds to the Wildenstein 416 panel, RF inventory 1944 18 from the Musée d'Orsay. The file of 1,212 × 1,238 px retained its native resolution, without enlargement, then was encoded in WebP.

Composition01

Bodies overlap without merging

Each silhouette retains its own direction and value. Gray transitions separate neighboring plumages.

Color02

The red heads punctuate the scene

These accents are small but essential: they lead the eye through the group to the background.

Matter03

Light passes through green shadow

Yellow and light blue touches appear on the lawn and birds. They must remain fragmented like the light filtered by trees.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1877, this oil on canvas measuring 174 × 172.5 cm is kept at the Musée d'Orsay under the inventory RF 1944 18 and classified Wildenstein 416.

Order01

The salon of Rottembourg Castle

Ernest Hoschedé invited Monet to Montgeron and commissioned large decorative paintings for him for the living room of his castle. The Dindons belong to this group.

Exposure02

Presented in 1877

The painting appears in the third impressionist exhibition in the spring of 1877 under the title Les Dindons, with the mention of unfinished decoration.

Legacy03

From Winnaretta Singer to the national collections

After Hoschedé, Giuseppe de Nittis, Théodore Duret and François Depeaux, the work belonged to Princess Edmond de Polignac. His legacy to the National Museums was accepted in 1947.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the curve and overlaps of the troop.
  • Paint the white plumages with colored pinks, blues and grays.
  • Maintain the little red heads as measured accents.
  • Preserve the opening to the castle between the masses of trees.

Work sheet

Title The Turkey W416
Artist Claude Monet (1840 -1926)
Date 1877
Original technique Oil on canvas
Dimensions 174 × 172.5 cm
Orientation Horizontal
Conservation Musée d'Orsay, Paris, France
Inventory RF 1944 18 · Wildenstein 416
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Musée d'Orsay - RF 1944 18

Presentation in your interior

A palette designed with the room

This large, bright square is suitable for a dining room, living room or country interior. An oak, English green or matte gold frame takes over the park and gives presence to the light plumages.

Les Dindons W416, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Bird paintings Claude Monet Countryside Landscapes

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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