Le Dîner, known as La Famille Sisley, W129 - Claude Monet

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Le Dîner, known as La Famille Sisley, W129 - Claude Monet

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Le Dîner, known as La Famille Sisley, W129 - Claude Monet

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Le Dîner, known as La Famille Sisley, W129 - Claude Monet

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Claude Monet · A family table lit by a hanging lamp · EG Bührle Collection

Dinner, known as The Sisley Family, W129hand painted reproduction

Four people gather around a round table covered with a white tablecloth. A hanging lamp, placed exactly above the meal, focuses the light on faces, dishes and hands; all around, the room sinks into browns. This rare interior scene shows Monet attentive to nocturnal contrasts before his major outdoor research.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Dîner, known as La Famille Sisley, W129 - Claude Monet - full view
Dinner, known as The Sisley Family, W129Claude Monet · 1868 -1869
1868 - 1869Dating
50 × 65 cmDimensions of the original
Oil on canvasOriginal technique
75 · Wildenstein 129Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An island of light in the center of a dark interior

The pendant light descends in line with the canvas and its white lampshade directly illuminates the table. A child sits on the left, two figures face the viewer and a man seen from behind closes the foreground. The circular arrangement brings the bodies together around the light.

On the right, the fireplace brings a second orange warmth to the parquet floor and the coat. A carafe, plates and a few dishes punctuate the tablecloth; on the shelf, gray vases remain almost absorbed by the wall. The left background remains much darker.

The tablecloth and the lamp draw two very different whites: one collects the figures, the other suspends the light source above them.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition adjusted by the axis of the lamp

The suspension, its tank and the back of the chair in the foreground align vertically. Around this axis, the four figures form an irregular and living circle.

02

Two light temperatures

The lamp produces yellow whites on the table and faces. The fireplace adds deeper oranges to the right, while the corners of the room remain almost black browns.

03

Suggested, undescribed faces

Monet uses some warm tones and shadows to indicate features. The readability of the scene comes more from attitudes, hands and direction of gaze than from portrait detail.

Reference image

Read this specific version

The image corresponds to inventory 75 of the EG Bührle Collection Foundation, Wildenstein version 129. The file of 2,347 × 1,800 px has been kept at its native definition and encoded in WebP.

Composition01

The lamp must remain the clearest value

Its lampshade and globe dominate without being uniformly white; yellows, grays and small black accents define its structure.

Color02

The back figure anchors the foreground

Its dark mass and the back of the chair close the table. It should not completely merge with the bottom.

Matter03

The tablecloth changes tone around each object

Cream white, gray green and yellow juxtapose. The dishes and hands emerge through small differences rather than strong contours.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1868 -1869, this painting of 50 × 65 cm is kept by the EG Bührle Collection Foundation under inventory 75 and classified Wildenstein 129.

Title01

Dinner, also called The Sisley Family

The Wildenstein catalog lists the work under number 129. Its secondary name recalls the identification traditionally associated with the family group represented around the table.

Provenance02

A work purchased from Monet by Durand-Ruel

Durand-Ruel acquired the painting directly from the artist in February 1873. It then went through several collections before its acquisition by Emil Bührle in 1944.

Collection03

Inventory 75 since 1960

The heirs of Emil Bührle donated the work to the foundation in 1960. The collection notice confirms the date 1868 -1869, the dimensions, the signature at the bottom left and the Wildenstein number 129.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Align the lamp, table and chair in the foreground.
  • Maintain the strong contrast between light tablecloth and dark room.
  • Differentiate between lamp and fireplace light.
  • Suggest faces without hardening their contours.

Work sheet

Title Dinner, known as The Sisley Family, W129
Artist Claude Monet (1840 -1926)
Date 1868 - 1869
Original technique Oil on canvas
Dimensions 50 × 65 cm
Orientation Horizontal
Conservation EG Bührle Collection Foundation, Zurich, Switzerland
Inventory 75 · Wildenstein 129
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Fondation Collection EG Bührle - 75

Presentation in your interior

A palette designed with the room

This intimate scene is suitable for a cozy dining room, library or living room. A walnut, weathered black or mahogany brown frame prolongs the darkness and brings out the luminous tablecloth.

Le Dîner, known as La Famille Sisley, W129, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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