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L’Église de San Giorgio Maggiore à Venise de Claude Monet, 1908 – Newfields 70.76, Wildenstein 1749
  • L’Église de San Giorgio Maggiore à Venise de Claude Monet, 1908 – Newfields 70.76, Wildenstein 1749
  • L’Église de San Giorgio Maggiore à Venise de Claude Monet, 1908 – Newfields 70.76, Wildenstein 1749
The Church of San Giorgio Maggiore in Venice W1749 - Claude Monet

The Church of San Giorgio Maggiore in Venice W1749 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
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Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Claude Monet Venice Eau et littoraux impressionnistes French painting – French artists Impressionist Indianapolis Museum of Art Japonism Urban landscapes and city views Villes et vie moderne impressionnistes

Artwork description

Reproduction details

Claude Monet · 1908 · Newfields 70.76 · W1749

The Church of San Giorgio Maggiore in Venice W1749hand painted reproduction

San Giorgio Maggiore unfolds in pastel light where the Palladian facade, the dome and the campanile seem made of the same material as the sky. Small gondolas slide in front of the island. Monet keeps the architecture readable while crossing it with roses, yellows, blues and greens reflected by the lagoon.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Church of San Giorgio Maggiore in Venice W1749 - Claude Monet - full view
The Church of San Giorgio Maggiore in Venice W1749Claude Monet · 1908
1908Dating
66.4 × 93.7 cmDimensions of the original
Oil on canvasOriginal technique
70.76 · Wildenstein 1749Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

San Giorgio Maggiore bathed in pink and blue light, with gondolas as the only moving accents

The campanile rises to the left, then the classic facade and its dome shift the gaze towards the center. The monastery buildings extend the island to the right edge. The horizon is high enough to give the lagoon a vast foreground, animated by several dark boats.

The stone receives lemon, salmon pink, turquoise and lilac tones. The reflections do not obey strict symmetry: they disperse in small horizontal touches in the water. Gondolas and a few stakes create the darkest contrasts, but remain colored by the surrounding blue and purple.

W1749 does not separate the church from its atmosphere: light continually circulates from the facade to the lagoon and from the reflection to the sky.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A work documented by Newfields

The painting is numbered 70.76 and belongs to the Lockton Collection of the Indianapolis Museum of Art at Newfields. The notice links it to the San Giorgio Maggiore group and the Wildenstein 1749 catalog.

02

Architecture subordinate to reflections

Newfields points out that Monet reduces architectural details to highlight the light and color reflected on surfaces. The facade remains identifiable thanks to a few axes: campanile, pediment, dome and low line of the monastery.

03

Gondolas as cuts in a pastel network

The boats are small dark accents within water entirely woven in light colors. They give scale, orient the horizontal reading and prevent the lagoon from becoming a simple decorative tablecloth.

Reference image

Read this specific version

The only reference image comes from the high definition file Newfields - Google Arts. It was reduced from 6,702 to 3,200 px wide and converted into a real WebP, without artificial enlargement.

Composition01

A dominant vertical and a stretched island

The campanile structures the left third. The facade and the dome form a lower group, then the monastic buildings extend the composition. This floor gives depth despite the almost frontal view.

Color02

Pink, lemon yellow, turquoise blue and lilac

The colors respond to each other on the sky, stone and water. Faithful reproduction must maintain their temperature differences and avoid reducing the church to neutral white.

Matter03

A short, layered touch

The layers are particularly readable in the lagoon: blue, pink and yellow touches intersect without uniform mixing. On the architecture, the gesture becomes more vertical in order to suggest volumes.

Documented benchmarks

Three pieces of information specific to this work

This information precisely identifies the Newfields 70.76 canvas, Wildenstein 1749 catalog.

Identification01

Newfields 70.76, W1749

This 1908 oil on canvas measures 26 1/8 × 36 7/8 inches, or approximately 66.4 × 93.7 cm. It is preserved by the Indianapolis Museum of Art at Newfields.

Provenance02

Parisian merchants at the Lockton Collection

After the Venetian exhibition of 1912, the work passed through Bernheim-Jeune and Durand-Ruel. Richard C. Lockton acquired it after the Parke-Bernet sale in 1965, then offered it to the museum in 1970.

Exposure03

Presented in Paris in 1912

The Newfields notice indicates that the painting appeared in the Claude Monet exhibition "Venice" at Bernheim-Jeune, under number 13, before joining several major international retrospectives.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Newfields 70.76 and Wildenstein 1749 version
  • The original format of approximately 66.4 × 93.7 cm
  • The Palladian facade kept colorful rather than white
  • Gondolas and stakes preserved as dark accents at the right scale

Work sheet

Title The Church of San Giorgio Maggiore in Venice W1749
Artist Claude Monet (1840 -1926)
Date 1908
Original technique Oil on canvas
Dimensions 66.4 × 93.7 cm
Orientation Horizontal
Conservation Indianapolis Museum of Art at Newfields, Indianapolis, United States
Inventory 70.76 · Wildenstein 1749
Your reproduction Handmade oil painting on canvas
Consult the official notice - Newfields

Presentation in your interior

A palette designed with the room

Salmon pink, lemon yellow, turquoise, lilac and lagoon blue give this reproduction a rich but delicate light. It works particularly well on a cream or warm gray wall, with a discreet gold or light wood frame.

The Church of San Giorgio Maggiore in Venice W1749, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Church of San Giorgio Maggiore in Venice W1749 - Claude Monet
Background 1
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2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

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