The Last Supper - Leonardo da Vinci

The Last Supper - Leonardo da Vinci

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The Last Supper - Leonardo da Vinci

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The Last Supper - Leonardo da Vinci
Dimensions et finition sélectionnées Simulation d’échelle · décor indicatif

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The Last Supper - Leonardo da Vinci

Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.

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Trois rendus pour une même œuvre

Leonardo da Vinci · 1494 -1498 · First Milanese period

The Last Supper
Leonardo da Vinci

A hand-painted oil reproduction that recreates the pattern, depth and light transitions of the composition. Christ has just announced that one of the twelve apostles will betray him. Reactions spread from both sides from him to gestures, looks and conversations suddenly interrupted.

Hand paintedOil on canvasPhoto validationPossible alterations
Reproduction of The Last Supper by Leonardo da Vinci painted in oil on canvas
The Last Supper1494 -1498 · Religious mural
1494 - 1498Dating the original
Leonardo da VinciAttribution or status
HorizontalComposition
Museo del Cenacolo Vinciano, MilanLocation or status of the original
Real paintingNo digital printing on the web.
Artisanal creationEach copy is painted individually.
Validation before sendingYou receive photos of the finished painting.
Possible alterationsRequest adjustments before shipping.

The subject of the work

Gestures build the meaning of the scene

Christ has just announced that one of the twelve apostles will betray him. Reactions spread on both sides of him in gestures, looks and conversations abruptly interrupted.

Christ forms the geometric and psychological center. The apostles are divided into four groups of three, while the vanishing lines of the room converge towards the head of Christ.

Composition, light & sfumato

A depth built without hard contour

Leonardo organizes space through gestures, looks, perspective and gradual passages between shadow and light.

Composition and light of The Last Supper
01

The motive

Christ has just announced that one of the twelve apostles will betray him. Reactions spread on both sides of him in gestures, looks and conversations abruptly interrupted.

02

The construction of the gaze

Christ forms the geometric and psychological center. The apostles are divided into four groups of three, while the vanishing lines of the room converge towards the head of Christ.

03

The palette and the light

Blues, reds, ochres and skin tones stand out against the light architecture; the real light of the refectory seems to extend that of the painted openings.

Landmarks on the work

Three keys to looking at it better

These landmarks distinguish the autograph work, the participation of the workshop, the known versions and the compositions now lost.

Context01

First Milanese period

This landmark places the composition in Leonardo's Florentine, Milanese or late journey.

1494 - 1498
Attribution02

Leonardo da Vinci

Status is formulated with caution when the workshop, a copy or a discussed assignment occurs.

Religious mural
Conservation03

Museo del Cenacolo Vinciano, Milan

Mixed dry technique on coating

Documentary reference

Your reproduction

A real painting, made for you

The painter adapts the level of detail to the format ordered, then submits the finished painting to you before shipping.

Features

Original composition Leonardo da Vinci
Dating 1494 - 1498
Period First Milanese period
Reproduction technique Handmade oil painting on canvas
Original support Mixed dry technique on coating
Orientation Horizontal
Gender Religious mural
Location or status of the original Museo del Cenacolo Vinciano, Milan

From order to shipping

1
PreparationStudy of composition and format.
2
Oil paintingManual production, layer after layer.
3
Photo validationControl of the table and possible retouching.
4
Protected shippingCareful packaging and shipping with tracking.

Presentation tips

Bring Leonardo’s depth to life in your interior

This horizontal composition naturally finds its place above a sofa, a sideboard or a large table. Soft, side light reveals glazes and transitions without producing frontal reflection.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and variations in material are part of the rendering.

Why does the medium sometimes differ from the original?

Several originals are painted on a panel or directly on a wall. The reproduction transposes their composition onto a canvas intended to be installed in an interior.

Can I check the result before shipping?

Yes. You receive photographs of the completed painting and can request edits before validating the shipment.

Which location is best?

Its horizontal orientation is particularly suitable above a sofa, sideboard or large table.

A composition by Leonardo, painted especially for you

Order your reproduction of The Last Supper and validate the result in photos before shipping.

Oil on canvas · Hand painted · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Apotres Biblical Painting Christ Connus

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Same artist

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Voir tous les tableaux de Leonardo da Vinci
Voir tous les tableaux de Leonardo da Vinci