A beach drawn like a diagonal
The boundary between the pebbles and the sea rises to the right. This line leads the eye to the bottom of the bay and gives a clear direction to a landscape that is nevertheless very open.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Étretat · 1883 · W828
From Étretat beach, Monet looks towards Porte d'Amont: the clear arch closes the bay on the right, while the cliffs recede in a bluish mist. Signed and dated 1883, this oil on canvas measuring 66 × 81.2 cm is kept at the Musée d'Orsay under number RF 1937 42 and corresponds to Wildenstein 828.

Look at the work
The pebbles occupy the foreground by a wide oblique band. A few boats pulled onto the beach and small figures line the shore. Their succession accompanies the gaze towards the arch, placed at the very end of the bay under the cliff.
The gray-blue sky is reflected in a calm sea, punctuated with greens and pinks. The nearest cliff receives ochres and mauves, while the distant reliefs blend into lighter blues. This gradual cooling gives distance.
W828 does not present the Porte d'Amont as an isolated monument: Monet makes it appear at the end of a course of pebbles, boats, figures and cliffs.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The boundary between the pebbles and the sea rises to the right. This line leads the eye to the bottom of the bay and gives a clear direction to a landscape that is nevertheless very open.
Walkers and fishermen do not form a detailed genre scene. Their dark accents measure the height of the cliffs and punctuate the depth of the shore.
The nearby cliff combines ocher, purple and green; the following gradually lose their warmth and contrast. Atmospheric blue replaces precise contours in the distance.
Reference image
The sheet uses a single exact image of W828. The real WebP measures 1,256 × 1,013 px and remains at the available resolution, without artificial enlargement.
The arch occupies only a limited portion on the right side. Enlarging it would transform this bay view into a spectacular portrait of the cliff and distort the view.
Brush strokes from the shore are short and irregular; those of the water stretch horizontally. This opposition makes the materials readable without careful drawing.
Successive cliffs should not present the same contrast. Their blue-gray erasure is essential to maintain depth and overcast weather.
Documented benchmarks
The Musée d'Orsay preserves Étretat: the beach and the Porte d'Amont, oil on canvas from 1883, 66 × 81.2 cm, signed and dated lower right, inventory RF 1937 42 and W828.
Monet stayed in Étretat during the winter of 1883 and worked facing the cliffs under changing lights. Tides and weather directly determine accessible viewpoints.
The dealer Paul Durand-Ruel bought the work from Monet on December 8, 1883. It then joined the collection of Antonin Personnaz, a great defender of impressionist painting.
The work entered the national collections by bequest in 1937. Assigned to the Musée d'Orsay in 1986, it bears the number RF 1937 42.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Étretat: the beach and the Porte d'Amont W828 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1883 |
| Original technique | Oil on canvas |
| Dimensions | 66 × 81.2 cm |
| Orientation | Horizontal |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 1937 42 · Wildenstein 828 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its bluish grays, soft ochres and mauves are suitable for a quiet living room, bedroom or office. A warm white, greige or mist blue wall and a light oak frame emphasize the depth without weighing down the coast.
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