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Prairie avec peupliers W378 par Claude Monet, vers 1875, Museum of Fine Arts Boston

Meadow with poplars W378 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · A flowery meadow around Argenteuil · Museum of Fine Arts Boston

Meadow with poplars W378hand painted reproduction

A meadow strewn with flowers occupies almost the entire canvas. On the left, a large poplar tree rises to the sky and forms an imposing vertical mass; two thinner trees respond to it in the center, while a small figure advances among the grass. Monet constructs this landscape with light, thick touches in the foreground, then lightens his painting towards the horizon in order to circulate the air between the field, the trees and the clouds.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Meadow with poplars W378 - Claude Monet - full view
Meadow with poplars W378Claude Monet · Around 1875
Around 1875Dating
54.6 × 65.4 cmDimensions of the original
Oil on canvasOriginal technique
23,505 · Wildenstein 378Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three poplars give vertical architecture to the shifting expanse of the meadow

The large tree on the left is slightly cut by the upper edge and deliberately decenters the composition. Its dark green foliage contrasts with the light blue sky, but its trunk blends into the tall grass. Further on, two slender poplars stand out in front of a strip of vegetation and measure the depth of the field.

Touches of red, yellow, white and blue dot the meadow without drawing each flower. A small silhouette wearing a hat appears near the lower edge; its size makes the scale of the landscape noticeable. The clouds, treated with greater fluidity, prolong the movement of the grass without weighing down the sky.

The apparent simplicity of the pattern rests on a precise balance between the mass of the large tree, the opening of the sky and the colorful swarming of the field.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An asymmetrical but solidly balanced composition

The poplar on the left concentrates the main visual weight. Monet counterbalances it with the two trees in the center, the dark band of the horizon and the vast blue opening on the right; no rigid central axis is necessary to stabilize the scene.

02

The depth obtained by the way of painting

In the foreground, the colors are placed in short, contrasting impastos. They become colder, thinner and closer towards the bottom. This difference in touch creates the distance even before the shapes are precisely identified.

03

A first reflection on future motives

The museum notice highlights the early presence of poplars and millstones in this landscape. Monet will take them up later in series, but they are already instruments here for observing light, scale and seasonal changes.

Reference image

Read this specific version

The visual corresponds to inventory 23.505 of the Museum of Fine Arts Boston and Wildenstein number 378. The reference image of 2397 × 1999 px was encoded as a real WebP at its native definition, without artificial enlargement.

Composition01

The large poplar remains irregular and alive

Its outline alternates between advances, hollows and transparencies. Transforming it into a compact silhouette would make the gaps in the sky and the vibration of the foliage disappear.

Color02

The meadow combines warm colors and cold shadows

Reds, ochres and yellows are among bluish greens and purples. This alternation gives light to the field without producing a uniform decorative carpet.

Matter03

The sky is more fluid than the foreground

The blues and whites are linked to it by flexible passages, while the herbs retain a discontinuous material. Preserving this contrast in style is essential to the feeling of space.

Documented benchmarks

Three pieces of information specific to this work

Painted around 1875, this oil on canvas measures 54.6 × 65.4 cm. It is kept at the Museum of Fine Arts Boston under inventory 23,505 and listed as Wildenstein 378.

Location01

A campaign observed during the Argenteuil years

In the first half of the 1870s, Monet explored the fields and banks around Argenteuil. The canvas combines a tiny human presence with ordinary patterns - herbs, flowers and poplars - observed directly in the open air.

Painting02

Additional impasto in the foreground

The MFA notice notes the thick, bright touches of the field, where complementary colors reinforce each other. In the background, colder, smoother paint helps create air and distance.

Collection03

A legacy in memory of Clara Bertram Kimball

The work entered the Museum of Fine Arts Boston in 1923 by the bequest of David P. Kimball, in memory of his wife Clara Bertram Kimball. Its inventory number 23.505 allows this version to be precisely identified.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the asymmetry created by the large poplar.
  • Differentiate between the dense matter of the field and the fluidity of the sky.
  • Keep the small figure at its discreet scale.
  • Roll back the two central poplars in colder tones.

Work sheet

Title Meadow with poplars W378
Artist Claude Monet (1840 -1926)
Date Around 1875
Original technique Oil on canvas
Dimensions 54.6 × 65.4 cm
Orientation Horizontal
Conservation Museum of Fine Arts Boston, Boston, United States
Inventory 23,505 · Wildenstein 378
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Museum of Fine Arts Boston - 23.505

Presentation in your interior

A palette designed with the room

This horizontal composition is suitable for a bright living room, bedroom or work space. A light oak, deep green or matte gold frame accompanies the foliage; a cream or gray blue wall brings out the little flowery notes.

Meadow with poplars W378, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Meadow with poplars W378 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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