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La Falaise à Fécamp W656 par Claude Monet, Aberdeen Art Gallery

La Falaise à Fécamp W656 - Claude Monet

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Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Fécamp · 1881 · W656

The Cliff at Fécamp W656hand painted reproduction

A mass of grassy cliff closes the entire right side while the English Channel extends to the left under a blue sky crossed by rapid clouds. Beyond the first wall, a second clear cape appears as a vertical blade above the water. Signed and dated Claude Monet 81, this oil on canvas measuring 65 × 81.1 cm is kept at Aberdeen Art Gallery under the number ABDAG003046 and corresponds to Wildenstein 656.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
La Falaise à Fécamp W656 - Claude Monet - full view
The Cliff at Fécamp W656Claude Monet · 1881
1881Dating
65 × 81.1 cmDimensions of the original
Oil on canvasOriginal technique
ABDAG003046 · Wildenstein 656Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An asymmetrical cliff above a spring sea

The first grassy plane climbs from the lower edge to the large cliff on the right. The sea occupies the left half and leads to a distant cape, framed by the void. The sky completes this construction diagonally with scattered clouds.

The bright blue of the water and sky is opposed to the greens, pinks, beiges and yellows of the cliff. On its lit side, an orange-yellow stripe marks the erosion of the chalk and draws the eye towards the distant cape.

The cliff blocks the space instead of framing it: Monet transforms this imbalance into a feeling of dizziness and wind above the English Channel.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An asymmetry inspired by Japanese prints

The main wall occupies a large part of the right and almost entirely hides Cape Fagnet. The sea remains open to the left, without compensatory symmetry.

02

A point of view without human presence

No boat, building or path interrupts the coast. This absence reinforces the monumental scale of the cliffs observed during the stay of March-April 1881.

03

Light constructed by vivid contrasts

Blues, greens and yellows are posed with energy. The strip of illuminated chalk separates the dark cliff from the sea and makes the depth immediately readable.

Reference image

Read this specific version

A single exact image of W656 is used throughout the sheet and as the sole media for the product. The real WebP measures 800 × 642 px and retains the native definition available without artificial enlargement.

Composition01

Keep the large mass on the right

It must occupy almost half of the composition. Reducing it would weaken the strong asymmetry of W656.

Color02

Preserve the clear course in the distance

This small vertical located between sea and cliff is the essential depth marker of the view.

Matter03

Keep the green touches in the foreground

The grass must vibrate downwind without becoming a uniform surface; its colors connect the viewer to the edge of the void.

Documented benchmarks

Three pieces of information specific to this work

Aberdeen Art Gallery documents La Falaise à Fécamp, oil on canvas signed and dated 1881, 65 × 81.1 cm, inventory ABDAG003046 and catalog Wildenstein 656.

Campaign01

Work carried out in Fécamp in the spring of 1881

Monet studied the cliffs between March 9 and April 10, observing changes in light, wind and sea on the same chalk shapes.

Acquisition02

An entry into the Aberdeen collection in 1927

The museum purchased the work through Wallis & Son, with half the price funded by Sir James Murray.

Composition03

Cape Fagnet almost entirely hidden

Moving slightly to the right, Monet lets the cliff in the foreground hide the cape and the Notre-Dame-du-Salut church, accentuating the dizziness of the view.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 656 version
  • The large grassy cliff on the right
  • The clear cape in the distance
  • The blue sea under rapid clouds

Work sheet

Title The Cliff at Fécamp W656
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 65 × 81.1 cm
Orientation Horizontal
Conservation Aberdeen Art Gallery and Museums, Aberdeen, Scotland
Inventory ABDAG003046 · Wildenstein 656
Your reproduction Handmade oil painting on canvas
Consult the official notice - Aberdeen Art Gallery · ABDAG003046

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, office or bedroom. A sky blue, sage green or light sand wall and a natural wood frame extend its coastal light.

La Falaise in Fécamp W656, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
La Falaise à Fécamp W656 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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