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Champ de coquelicots à Giverny W997 par Claude Monet, Virginia Museum of Fine Arts

Poppy field in Giverny W997 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Giverny · summer 1885 · W997

Poppy field in Giverny W997hand painted reproduction

A field of orange-red poppies descends towards several light houses, then the landscape rises in trees, meadows and hills to the horizon. The cloudy sky occupies the upper third and tempers the intensity of the foreground. Painted in 1885, this oil on canvas measuring 60.01 × 73.03 cm is kept at the Virginia Museum of Fine Arts under number 85.499 and corresponds to Wildenstein 997.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field in Giverny W997 - Claude Monet - full view
Poppy field in Giverny W997Claude Monet · 1885
1885Dating
60.01 × 73.03 cmDimensions of the original
Oil on canvasOriginal technique
85,499 · Wildenstein 997Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The red of the poppies gives its measure to the entire Giverny valley

The field is painted by a multitude of small red, coral, green and pink touches, tighter in the center and wider at the lower edge. This variation creates a slope without visible lines of perspective and moves the floral pattern towards the viewer.

The houses form a light strip between the field and the tall trees. Beyond that, the greens become bluer and grayer as the valley recedes, while the sky takes on these cold tones in very stretched clouds.

Poppies are almost never drawn flower by flower: their colorful repetition becomes a surface, then this surface becomes the depth of the landscape.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Three large, perfectly readable floors

The red field occupies the foreground, the houses and trees structure the environment, then the blue valley opens in the distance. This order gives the scene an unusual scale for a motif close to the house.

02

A carefully modulated red-green opposition

The poppies vibrate against the grass, but Monet mixes green in the red zone and warm accents in the meadows. The contrast remains alive without becoming graphic.

03

A gray sky that protects the intensity of the field

Blue, purple and cream clouds avoid uniform light. Their restraint brings out the flowers while announcing the rapid changes of Norman weather.

Reference image

Read this specific version

The Virginia Museum of Fine Arts' only public image is preserved at its reliable definition of 1,200 × 980 px and then encoded as a real WebP, without artificial enlargement.

Composition01

Preserve the slope of the field

The keys should tighten towards the houses and widen in the foreground. Uniform density would flatten the view and cause it to lose its downward movement.

Color02

Store reds mixed with coral, pink and green

The flowering area is not a continuous red sheet. Its interruptions allow light and grasses to circulate through the poppies.

Matter03

Keep the distant bluish and not very detailed

The hills and remote fields remain gentle. Strengthening or saturating them would remove the atmospheric perspective specific to W997.

Documented benchmarks

Three pieces of information specific to this work

The Virginia Museum of Fine Arts preserves Field of Poppies, Giverny, oil on canvas from 1885, 60.01 × 73.03 cm, inventory 85,499 and catalog Wildenstein 997.

Series01

One of four poppy fields from the summer of 1885

The guide to the Mellon collection specifies that Monet made four variations on this motif during the summer. W997 maintains a broad framing where the village and the valley remain clearly present.

House02

The Press appears in the middle of the landscape

Monet rented this house upon his arrival in 1883 before purchasing it in 1890. The buildings visible in the center place the painting in its daily environment of Giverny.

Collection03

The gift of Paul and Rachel Mellon

The work belongs to the Collection of Mr. and Mrs. Paul Mellon of the Virginia Museum of Fine Arts, where it bears inventory number 85.499.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 997 version
  • The sloping orange-red field
  • The light houses in the middle
  • The blue valley under the cloudy sky

Work sheet

Title Poppy field in Giverny W997
Artist Claude Monet (1840 -1926)
Date 1885
Original technique Oil on canvas
Dimensions 60.01 × 73.03 cm
Orientation Horizontal
Conservation Virginia Museum of Fine Arts, Richmond, United States
Inventory 85,499 · Wildenstein 997
Your reproduction Handmade oil painting on canvas
View image and data of work - Virginia Museum of Fine Arts · 85.499

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, dining room or entrance. A deep green, stone beige or gray blue wall and a natural wood frame make the poppies stand out without artificially accentuating their red.

Poppy field in Giverny W997, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Poppy field in Giverny W997 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

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