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Wheat fields in a mountainous landscape, F721 - Van Gogh

Wheat fields in a mountainous landscape, F721 - Van Gogh

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Wheat fields in a mountainous landscape, F721 - Van Gogh

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Wheat fields in a mountainous landscape, F721 - Van Gogh
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Wheat fields in a mountainous landscape, F721 - Van Gogh

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Vincent van Gogh · End of November - beginning of December 1889 · Saint-Rémy-de-Provence

Wheat fields in a mountainous landscape, F721Reproduction of oil painting on canvas

In front of the purple Alpilles, green and ocher fields lead to the Mas de Saint-Paul; due to lack of new canvas, Van Gogh painted this vast landscape on a tablecloth with small red tiles.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Wheat fields in a mountainous landscape F721 by Vincent van Gogh
Wheat fields in a mountainous landscape, F721Vincent van Gogh · End of November - beginning of December 1889 · Kroeller-Müller Museum, Otterlo
End of November - beginning of December 1889Dating
73.5 × 92 cmDimensions of the original
Oil on linen reused as a tableclothOriginal technique
Kroeller-Müller Museum, OtterloConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The Mas de Saint-Paul at the foot of the mountains

The foreground is a green and yellow expanse covered with long horizontal touches. An isolated tree stands slightly to the right of the center. Further on, the low farm and its ocher dovecote form a warm line in front of the purple and jagged mass of the Alpilles.

The museum explains that Van Gogh first lays the purple-brown outlines of the mountains, farm and fields, then fills the areas with flat or thick touches. The yellow-green sky remains very clear, almost incandescent above the cold reliefs.

Running out of canvas in November 1889, Van Gogh used a tablecloth whose pattern of small red squares remained visible in several unpainted areas. This unusual support is part of the material history of F721.

Composition, touch and color

Three observations specific to this painting

The Kroeller-Müller Museum notice identifies the building as the Mas de Saint-Paul, a 17th century farm whose dovecote indicates the rank of its first owner.

01

Superimposed plans

Field, farm, mountain and sky follow one another in bands. The variety of touches nevertheless gives the landscape a very convincing depth.

02

Purple versus yellow

The blue-purple mountains stand out against a yellow-green sky. This opposition makes the ridge line vibrate without resorting to a gentle atmospheric perspective.

03

A tablecloth under the paint

The small red tiles of the fabric appear where the colored layer remains thin, recalling the shortage of canvas experienced by the artist.

Documented benchmarks

Precisely identify the original work

The KM 100.443 inventory and references F721/JH1864 distinguish this view of Mas de Saint-Paul from other mountainous landscapes painted around the asylum.

Support

A reused tablecloth

Van Gogh begins the canvas before the arrival of the ten meters of fabric requested from Theo; he therefore uses a red patterned tablecloth.

Building

The Mas de Saint-Paul

The farm still exists. Its angular extension on the roof is a dovecote, an element formerly reserved for a rank-and-file owner.

Structure

Purple brown outlines

The main boundaries are drawn in a dark color before applying greens, ochres, purples and yellows.

Consult the official notice of the Kroeller-Müller Museum →

Your reproduction

What the painter must preserve

The copy must preserve the layout of the plans, the precise silhouette of the Mas and the contrast between the yellow-green sky and the purple mountains.

  • The large green field in the foreground
  • The slightly off-center isolated tree
  • The Mas de Saint-Paul and its dovecote
  • The purple ridge of the Alpilles
  • The very bright yellow-green sky

Work sheet

Title Wheat fields in a mountainous landscape, F721
Artist Vincent van Gogh (1853 -1890)
Date End of November - beginning of December 1889
Place of creation Saint-Rémy-de-Provence
Original technique Oil on linen reused as a tablecloth
Dimensions 73.5 × 92 cm
Inventory Kroeller-Müller Museum KM 100.443 · F721 · JH1864
Conservation Kroeller-Müller Museum, Otterlo
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A vast Provençal landscape with complementary colors

The horizontal format structures a living room or dining room. Prairie green, purple, ocher and yellow match natural wood, terracotta and cream walls.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The public reproduction of 3,870 × 3,084 px was reduced to 3,000 × 2,391 px then converted into a real WebP, without enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Wheat fields in a mountainous landscape, F721, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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