A figure compressed between two objects
The back of the chair and the wheel circle closely frame the body. This organization makes the work gesture immediately readable despite the small format.
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Préparation de la sélection…
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3 · Mise en situation
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Comprendre les formats
Vincent van Gogh · September 1889 · Saint-Rémy-de-Provence, France
Sitting in profile, a woman operates a spinning wheel in an interior reduced to a few pieces of furniture and bands of color. Van Gogh transforms Millet's domestic scene into a bright accord of blue, yellow, sea green and red.
Look at the work
The spinner is placed between a yellow chair seen from behind and the black wheel of the loom. Her blue bodice, light apron and long dark skirt form a compact vertical in the middle of the narrow format.
The floor is indicated by a few red and blue lines that converge under the chair. The very bright sea green wall reveals free touches around the head and the spinning wheel.
Three structures are enough to build the scene - chair, figure and wheel - but the complementary colors prevent the interior from becoming still.
Composition, touch and color
The Girl measures 40 × 25.5 cm and bears the references F696/JH1786. It was painted in September 1889 and is now in a private collection.
The back of the chair and the wheel circle closely frame the body. This organization makes the work gesture immediately readable despite the small format.
The deep blue bodice stands out against the greenish wall, while the chair and some details of the spinning wheel introduce warm yellows that make the whole thing vibrate.
Van Gogh describes neither ceiling nor depth of the room. The furniture uprights and oblique scratches on the floor are enough to install the space around the spinner.
Documented benchmarks
La Filleuse F696/JH1786 is a 40 × 25.5 cm oil on canvas painted in Saint-Rémy in September 1889.
Van Gogh worked from a black and white reproduction. He compared this method to a translation: the composition remained recognizable, but the color became entirely his own.
The spinner joins the sowers, harvesters and peasants whom Van Gogh took over according to Millet during his stay in Saint-Paul-de-Mausole.
Old catalogs indicate the painting in Moshe Mayer's Geneva collection. Its current conservation is indicated as a private collection.
Your reproduction
The copy must retain the leaning profile of the spinner, the black circle of the spinning wheel, the yellow chair, the blue bodice and the thin red diagonals of the floor.
| Title | The Girl, after Millet, F696 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | September 1889 |
| Place of creation | Saint-Rémy-de-Provence, France |
| Original technique | Oil on canvas |
| Dimensions | 40 × 25.5 cm |
| Inventory | Private collection · F696 · JH1786 |
| Conservation | Private collection |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The narrow silhouette is suitable for a reading corner, entrance or frame wall. The deep blue and yellow of the chair match light wood, sage green and unbleached textiles.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain image of 1962 × 3246 px has been reduced to a true WebP of 1814 × 3000 px, without cropping or enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Same artist
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