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La Grenouillère W134 par Claude Monet, 1869, Metropolitan Museum of Art

La Grenouillère - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Le Camembert and the floating restaurant · Metropolitan Museum of Art

The W134 onesiehand painted reproduction

A small circular island, nicknamed Camembert, receives a group of visitors in the middle of the Seine. On the right, the floating restaurant cuts the edge of the composition; in front, the boats and reflections fill the water. Monet captures the place from a close position, as silhouettes, sun and swirls mingle.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
La Grenouillère W134 - Claude Monet - full view
The W134 onesieClaude Monet · 1869
1869Dating
74.6 × 99.7 cmDimensions of the original
Oil on canvasOriginal technique
29.100.112 · Wildenstein 134Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Camembert connects crowds, footbridges and water

The floating island disk is placed slightly to the right of the center and brings together figures sitting or standing around a tree. A narrow walkway joins it from the left. The restaurant pavilion, cropped to the right, forms a vertical mass which balances the great void of water.

In the foreground, a green boat enters from the left corner and other hulls are partially visible in the shade on the right. The white, blue and yellow bands of the reflections describe the wrinkles of the Seine. In the background, a few white sails stand out in front of the light trees.

The characters remain almost still, but the brushstrokes of the water circulate the entire scene around them.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A round island as a social center

The Camembert concentrates visitors without placing itself exactly on the axis. Its low, circular shape contrasts with the vertical trunk that crosses it.

02

A flag deliberately cut off

The restaurant overflows from the right edge, as in a snapshot. This framing brings the viewer closer together and refuses a well-ordered panoramic view.

03

Short, contrasting reflections

Whites, yellows, blues and greens line up in small marks on a dark base. They simultaneously render the movement of water and afternoon light.

Reference image

Read this specific version

The unique reference corresponds to inventory 29.100.112 of the Metropolitan Museum of Art, Wildenstein version 134. The frameless file has been reduced without enlargement to 3000 × 2244 px and encoded in WebP.

Composition01

Camembert remains low on the water

Its ellipse should not become too vertical. The walkway, legs and reflections are enough to give it its volume.

Color02

The restaurant remains incomplete in the framework

Its straight edge is cut and its roof is only partially visible. This cropping is a major factor in the composition.

Matter03

The white sails are very far away

They appear as small triangles behind the tree. Their small size reinforces the scale of the figures in the foreground.

Documented benchmarks

Three pieces of information specific to this work

This oil on canvas measuring 74.6 × 99.7 cm, dated 1869, is kept at the Metropolitan Museum of Art under number 29.100.112 and classified Wildenstein 134.

Campaign01

Monet and Renoir at La Grenouillère

During the summer of 1869, the two painters set up their easels in this swimming and boating place on the Seine. The Met compares this composition to a version by Renoir today at the Nationalmuseum in Stockholm.

Pattern02

Le Camembert and the floating restaurant

The circular island planted with a tree was connected by footbridges to the shore and the establishment. These elements clearly distinguish W134 from London's W135 Bathers, where the restaurant remains off-camera.

Collection03

The Havemeyer legacy of 1929

The painting entered the Metropolitan Museum with the HO Havemeyer collection, bequeathed by Louisine Havemeyer. Its object number, 29.100.112, precisely identifies this version.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Place the circular island slightly to the right of center.
  • Respect the cropped roof on the right edge.
  • Circulate the reflections in small light and dark touches.
  • Retain the tiny sails and greenish-yellow shore of the bottom.

Work sheet

Title The W134 onesie
Artist Claude Monet (1840 -1926)
Date 1869
Original technique Oil on canvas
Dimensions 74.6 × 99.7 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 29.100.112 · Wildenstein 134
Your reproduction Handmade oil painting on canvas
Consult the reference notice - The Metropolitan Museum of Art - 29.100.112

Presentation in your interior

A palette designed with the room

The brightness of the water and the animation of the figures are suitable for a living room, dining room or work space. A deep green, bluish black or walnut frame reinforces the shells and shadows without stifling the yellow background.

La Grenouillère W134, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
La Grenouillère - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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