A framing from the Schreierstoren
The view is oriented along the Geldersekade towards the Waag. This high point allows you to embrace the tight boats while maintaining the canal as a deep axis between the two built banks.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Canal, boats and snow in old Amsterdam · Museo Botero
The Geldersekade sinks between the tall houses of Amsterdam. Boats clutter the canal, almost vertical masts cut through the sky and patches of snow cling to boats, docks and roofs. Monet tightens his palette around cold browns, ochres, grays and greens to make the diffuse light of a winter day.

Look at the work
The boats in the foreground are seen from above and partially cut by the lower edge. Their dark hulls alternate with snow-covered surfaces. The masts rise like an irregular grid and reduce the houses at the bottom to fragments of facades drowned in the atmosphere.
The right quay forms a clear diagonal which leads towards the center of the canal. On the left, bare trees and buildings merge into the mist; on the right, tall houses retain warmer browns. The dark water takes on these colors without offering a symmetrical reflection.
Snow and mist do not simplify the city: they reveal its density, superpositions and contained light.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The view is oriented along the Geldersekade towards the Waag. This high point allows you to embrace the tight boats while maintaining the canal as a deep axis between the two built banks.
Reddish browns, purplish grays, muted greens and small white reserves replace the dazzling blues of Argenteuil. Temperature differences are enough to separate water, snow, wood and masonry.
Monet stayed in the Netherlands in 1871 then returned there in 1874. This W300 urban view is distinguished from the more open landscapes of Zaandam by its narrow space and vertical architecture.
Reference image
The visual corresponds to the Geldersekade in Amsterdam, winter, inventory AP3261 of the Museo Botero and Wildenstein number 300. The available image of 1,205 × 1,024 px has been preserved at its native definition and encoded as a real WebP.
They land on hulls, quays and some roofs as bright accents. Extending them excessively would modify the dark balance of the canal.
Some are almost black, others disappear into the mist. This hierarchy allows you to read several depths despite their multiplication.
Brown and green reflections remain broad and discontinuous. They unify the bottom of the table while retaining the weight of the boats.
Documented benchmarks
This oil on canvas measures 55 × 65 cm. Listed Wildenstein 300, it is kept at the Museo Botero under inventory AP3261.
The canal connects the Nieuwmarkt sector to the old port. Monet observes the trading houses, quays and navigation from a point near the Schreierstoren, a medieval tower located near the current station.
The Wildenstein catalog classifies this version under number 300. The base of the Banco de la Republica retains a date around 1870, while several catalogs place it in 1874; the fork preserves this documentary history.
The Banco de la Republica registers the work under number AP3261 and indicates its entry into the collection in 2000. It is currently located at the Museo Botero de Bogotá.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Geldersekade in Amsterdam, Winter W300 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | around 1870 -1874 |
| Original technique | Oil on canvas |
| Dimensions | 55 × 65 cm |
| Orientation | Horizontal |
| Conservation | Museo Botero - Banco de la Republica, Bogota, Colombia |
| Inventory | AP3261 · Wildenstein 300 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This horizontal cityscape is suitable for a library, office or living room in natural tones. A walnut, bronze or matte black frame accompanies the quays; a light beige, warm gray or sage green wall reveals snow and ochres.
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