Basket of flowers (Les Glaïeuls) W414 - Claude Monet

Basket of flowers (Les Glaïeuls) W414 - Claude Monet

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Basket of flowers (Les Glaïeuls) W414 - Claude Monet

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Basket of flowers (Les Glaïeuls) W414 - Claude Monet
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Basket of flowers (Les Glaïeuls) W414 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · Camille among the gladioli in Argenteuil · Detroit Institute of Arts

Basket of flowers (Les Glaïeuls) W414hand painted reproduction

A rounded massif overflows with red, pink, white and blue flowers, while tall gladioli raise their poles in front of a fence. Camille Monet appears in the background, under a green parasol. The work today bears the title Basket of flowers: the figure gives the scale, but the real subject is the vibration of the garden in the heat of summer.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Basket of flowers (Les Glaïeuls) W414 - Claude Monet - full view
Basket of flowers (Les Glaïeuls) W414Claude Monet · 1876
1876Dating
59.3 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
21.71 · Wildenstein 414Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The flower basket plays the leading role

The massif forms a large curve which begins in the lower right corner and returns towards the light path. The low flowers make up a tight mosaic. Behind them, the red and white gladioli erect more spaced verticals in front of the dark palisade.

Camille stands on the left, almost confused with the shadow of the garden. Her blue dress and green parasol do not break the plant range. The pale path which runs along the massif discreetly separates its silhouette from the profusion of the foreground.

Monet uses Camille as a measure of space; the light, color and density of the massif remain the real protagonists.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A curve for organizing abundance

The edge of the massif guides the eye from the low flowers towards the gladioli, then towards Camille. This soft line prevents the colored surface from appearing uniform.

02

Short keys that recompose remotely

Reds, pinks and greens are often placed side by side. Up close, they remain thick marks; as they move back, they become flowers, leaves and bursts of sunlight.

03

A figure integrated into the garden

The blue color extends the cold shadows of the fence, while the umbrella takes on the greens. Camille is visible without being isolated by a rigid outline.

Reference image

Read this specific version

The unique reference corresponds to inventory 21.71 of the Detroit Institute of Arts, Wildenstein version 414. The file of 2,000 × 1,475 px was kept without enlargement and encoded in WebP.

Composition01

Gladioli do not form a regular row

Their height, spacing and amount of red vary. This irregularity gives the massif its natural rhythm.

Color02

The clear path remains narrow

It frames the basket without becoming a big void. Its warm grays and mauves reflect neighboring colors.

Matter03

The umbrella almost touches the fence

Its round shape constitutes a discreet counterpoint to the curve of the massif and helps to read the figure in the shadows.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1876, this 59.3 × 81.3 cm oil on canvas is kept at the Detroit Institute of Arts under inventory 21.71 and classified Wildenstein 414.

Title01

From Les Glaïeuls to Corbeille de fleurs

The museum adopted the title Rounded Flower Bed (Corb of Flowers) following recent research. Gladioli remain essential, but they belong to a more varied massif which constitutes the complete subject.

Argenteuil02

The garden as a laboratory of color

Monet paints this scene in the garden of his house in Argenteuil. The flowers allow it to directly juxtapose red, pink, blue and green under bright light.

Figure03

Camille under the umbrella

The Detroit Institute of Arts identifies the woman as Camille Monet. Placed in the background rather than in the center, it transforms the garden view into a lived experience without becoming an independent portrait.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the large curve of the massif.
  • Vary the reds, pinks and greens in small touches.
  • Integrate Camille into the shadows without erasing her silhouette.
  • Distinguish the tall gladioli from the low flowers in the foreground.

Work sheet

Title Basket of flowers (Les Glaïeuls) W414
Artist Claude Monet (1840 -1926)
Date 1876
Original technique Oil on canvas
Dimensions 59.3 × 81.3 cm
Orientation Horizontal
Conservation Detroit Institute of Arts, Detroit, Michigan, United States
Inventory 21.71 · Wildenstein 414
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Detroit Institute of Arts - 21.71

Presentation in your interior

A palette designed with the room

This colorful scene is suitable for a living room, bedroom or veranda. An olive green, light oak or matte gold frame accompanies the garden; an ecru or warm gray wall lets the reds of the gladioli stand out.

Basket of flowers (Les Glaïeuls) W414, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Camille Monet Claude Monet Detroit Institute of Arts

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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