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Wisteria, Allen Memorial Art Museum W1909 - Claude Monet

Wisteria, Allen Memorial Art Museum W1909 - Claude Monet

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Wisteria, Allen Memorial Art Museum W1909 - Claude Monet

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Wisteria, Allen Memorial Art Museum W1909 - Claude Monet
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Wisteria, Allen Memorial Art Museum W1909 - Claude Monet

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Claude Monet · 1919 -1920 · Allen Memorial Art Museum · W1909

Wisteria, Allen Memorial Art Museum W1909hand painted reproduction

Yellow and green clusters hang from the upper corners above a vast lavender blue. The composition remains horizontal, but it no longer has a traditional landscape: the space is built by vines, colorful curls and brush marks which seem to float between sky, flowers and paint.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Wisteria, Allen Memorial Art Museum W1909 - Claude Monet - full view
Wisteria, Allen Memorial Art Museum W1909Claude Monet · 1919 -1920
1919 - 1920Dating
149.9 × 200.5 cmDimensions of the original
Oil on canvasOriginal technique
1960.5 · Wildenstein 1909Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The large central blue becomes an open space between two masses of wisteria

The upper left concentrates lemon yolks, dark greens and a few browns. On the right, a heavier floral mass mixes purple, olive green and pink. Between these two areas, the blue remains widely visible and gives air to a composition that is nevertheless very busy around its edges.

In the lower center, red, green and white vines descend in irregular curves. They do not describe each flower: their movement is enough to suggest the clusters. The impasto alternates with finer passages where the background blue remains perceptible.

Blue is not a simple background: it separates, connects and sets the clusters in motion, until this late canvas becomes a passage towards abstraction.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis by Wisteria, Allen Memorial Art Museum W1909 - Claude Monet
01

Two asymmetrical floral masses

The clusters of the corners do not weigh in the same way. The left is more yellow and jagged; the right denser and purple. Their imbalance animates the central blue opening.

02

Lianas drawn by gesture

The red, green and white curves are fast and discontinuous. Regularizing or closing them would remove the energy that the museum describes as essential to this work.

03

A blue composed of many temperatures

Lavender, cobalt, gray and turquoise overlap. A uniform blue surface would remove the depth and visible repetitions under the floral touches.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The yellows and greens of the left part - detail by Wisteria, Allen Memorial Art Museum W1909 - Claude Monet
The yellows and greens of the left partThe close-up shows the light clusters placed on deep greens, then the red vines which descend into the blue. The keys constantly change width and thickness.
Lavender blue and hanging flowers - detail by Wisteria, Allen Memorial Art Museum W1909 - Claude Monet
Lavender blue and hanging flowersOn the right, purples, whites and greens group together around descending curves. The blue background remains active under the impasto and gives depth to the flowers.

The official image measures 1200 × 891 px and the two native details 600 × 750 px. No files have been enlarged; the three WebPs respect the definition actually available from the museum.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Oberlin 1960.5, Wildenstein 1909

The Allen Memorial Art Museum dates this oil on canvas to 1919 -1920. It measures 149.9 × 200.5 cm, has object number 1960.5 and corresponds to Wildenstein number 1909.

Unfinished decor02

A frieze imagined above the Water Lilies

Monet envisions wisteria paintings as a superior accompaniment to large decorative panels. The dimensions of the Orangery ultimately do not allow their installation with the Water Lilies cycle.

Provenance03

From Monet's studio to the Oberlin Museum

After the painter's death, the painting remained with Michel Monet. She then moved to Paul Rosenberg & Co. in New York, then the Allen Memorial Art Museum acquired it in 1960 thanks to the RT Miller Jr. Fund.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Oberlin, 1960.5 and W1909
  • The original format of 149.9 × 200.5 cm
  • The large blue interval preserved between the clusters
  • Colored vines kept free and discontinuous

Work sheet

Title Wisteria, Allen Memorial Art Museum W1909
Artist Claude Monet (1840 -1926)
Date 1919 - 1920
Original technique Oil on canvas
Dimensions 149.9 × 200.5 cm
Orientation Horizontal
Conservation Allen Memorial Art Museum, Oberlin, United States
Inventory 1960.5 · Wildenstein 1909
Your reproduction Handmade oil painting on canvas
Consult the official notice - Allen Memorial Art Museum

Presentation in your interior

A palette designed with the room

Lavender blue, lime yellow, olive green and purple give this reproduction a bright and very contemporary presence. It works particularly well on a warm white, gray blue or deep green wall.

Wisteria, Allen Memorial Art Museum W1909, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Allen Memorial Art Museum Claude Monet French painting – French artists

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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