The Good Samaritan, after Delacroix - Vincent van Gogh

The Good Samaritan, after Delacroix - Vincent van Gogh

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The Good Samaritan, after Delacroix - Vincent van Gogh

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The Good Samaritan, after Delacroix - Vincent van Gogh
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The Good Samaritan, after Delacroix - Vincent van Gogh

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Vincent van Gogh · Early May 1890 · Saint-Rémy-de-Provence, France

The Good Samaritan, after DelacroixReproduction of oil painting on canvas

The Samaritan lifts an injured man to place him on his horse, at the edge of a steep path. Van Gogh translates a black and white engraving after Delacroix into fiery colors and makes the gesture of help the center of the composition.

Hand paintedOil on canvasA verified WebP imagePhoto validation
The Good Samaritan after Delacroix, painting by Vincent van Gogh created in May 1890
The Good Samaritan, after DelacroixVincent van Gogh · Early May 1890 · Kroeller-Müller Museum, Otterlo
Early May 1890Dating
73 × 59.5 cmDimensions of the original
Oil on canvasOriginal technique
Kroeller-Müller Museum, OtterloConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The weight of a body entrusted to the Samaritan

The almost naked injured man leans on the shoulder of the man dressed in a yellow coat. Their bodies fit together in a difficult movement: one leg hangs, the torso overturns and the Samaritan leans on the ground.

The brown horse waits on the right, harnessed in red and yellow. On the left, an open chest and abandoned clothes recall the attack. In the distance, two figures walk away on a road that climbs between the hills.

The undulating lines and color contrasts make the effort needed to help almost physical.

Composition, touch and color

Three observations specific to this painting

The work KM 104.010 can be recognized by the Samaritan's yellow coat, the wounded man in blue pants, the brown horse and the open chest in the left corner.

01

A personal translation by Delacroix

Van Gogh works from a black and white reproduction. He therefore does not copy colors: he reconstructs them from memory and according to his own logic.

02

Two bodies linked by the gesture

The arms, legs and folds of clothing become tangled. The composition places less emphasis on the face than on the concrete effort of help.

03

Spiritual contrasts

Blue, purple and yellow, red and green are strongly opposed. For Van Gogh, Delacroix was a guide in the expressive use of these complements.

Documented benchmarks

Precisely identify the original work

The Kroeller-Müller Museum preserves The Good Samaritan, after Delacroix under number KM 104.010. Painted at the beginning of May 1890, the work measures 73 × 59.5 cm and bears the references F633 and JH1974.

Source

An engraving after Delacroix

Van Gogh did not have the original painting. He transformed a monochrome reproduction into an oil-colored composition.

Context

After a serious crisis

The museum places the production while Van Gogh returns to work after an episode of illness in Saint-Rémy.

Reading

Theo as a good Samaritan

The Kroeller-Müller Museum offers a possible rapprochement with Theo, the brother who continually supports Vincent; this is an interpretation.

Consult the instructions for the Kroeller-Müller Museum

Your reproduction

What the painter must preserve

The painter must convey the weight of the two bodies, the undulating contours and the yellow-blue and red-green contrasts which give the scene its intensity.

  • The Samaritan's yellow coat and blue pants
  • The twisting of the injured man hoisted on the horse
  • The brown horse with red and yellow harnesses
  • The open chest and abandoned items on the left

Work sheet

Title The Good Samaritan, after Delacroix
Artist Vincent van Gogh (1853 -1890)
Date Early May 1890
Place of creation Saint-Rémy-de-Provence, France
Original technique Oil on canvas
Dimensions 73 × 59.5 cm
Inventory KM 104.010 · F633 · JH1974
Conservation Kroeller-Müller Museum, Otterlo
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A scene of compassion in powerful colors

The vertical format brings a strong narrative presence to a living room, library or office. Yellow, blue and warm earth accompany dark wood and weathered metals.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The Google Art Project reference measures 4,000 × 4,881 px. It was prepared as a real WebP of 2,458 × 3,000 px.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

The Good Samaritan, after Delacroix, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Dutch Paintings - Top 500 Masterpieces Good Samaritan Japonism

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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