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Le Bassin aux nymphéas, triptyque de Claude Monet, vers 1917–1920 – Fondation Beyeler W1968–1970
  • Le Bassin aux nymphéas, triptyque de Claude Monet, vers 1917–1920 – Fondation Beyeler W1968–1970
  • Le triptyque du Bassin aux nymphéas photographié à la Fondation Beyeler en 2017
  • Détail central des reflets bleus, roses et verts du triptyque W1968–1970 de Monet
  • Le Bassin aux nymphéas, triptyque de Claude Monet, vers 1917–1920 – Fondation Beyeler W1968–1970
  • Le triptyque du Bassin aux nymphéas photographié à la Fondation Beyeler en 2017
  • Détail central des reflets bleus, roses et verts du triptyque W1968–1970 de Monet
The Water Lilies Basin, Beyeler triptych W1968 -1970 - Claude Monet

The Water Lilies Basin, Beyeler triptych W1968 -1970 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Fondation Beyeler French painting – French artists Impressionist Impressionist gardens and flowers Impressionist Landscapes Impressionist water and coastlines Japonism Lake and pond landscapes

Artwork description

Reproduction details

Claude Monet · around 1917 -1920 · Fondation Beyeler 77.3 · W1968 -1970

The Water Lilies Basin, Beyeler triptych W1968 -1970hand painted reproduction

For nearly nine meters, the basin extends without a bank or horizon. A deep blue area opens the left panel, vertical reflections cross the center and a darker plant mass closes the right. Above, roses, mauves and yellows evoke reflected light rather than a visible sky. The three panels make up a single continuous space where water, trees and water lilies change scale as the gaze shifts.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin, Beyeler triptych W1968 -1970 - Claude Monet - full view
The Water Lilies Basin, Beyeler triptych W1968 -1970Claude Monet · around 1917 -1920
around 1917 -1920Dating
3 panels of 200.7 × 301 cm, approximately 9 m in totalDimensions of the original
Oil on canvasOriginal technique
77.3 · Wildenstein 1968 -1970Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three panels bring together water, reflections and water lilies in a panoramic surface of almost nine meters

The left panel is dominated by blues and purples, punctuated with green discs and pink flowers. In the center, the vertical reflections become lighter and meet a long fishing zone near the upper edge. The third panel is loaded with deep greens and brown shapes. This progression does not illustrate a linear movement: it varies the density and temperature of the same body of water.

The joints between the three canvases remain perceptible, but the touches, colors and groups of water lilies pass through them visually. No vanishing point controls the whole. The viewer reads the composition by scanning, from the blue depth on the left to the dark vegetation on the right, then returns to the pinks and yellows that connect the panels in their upper part.

The panoramic scale does not show any more landscape: it removes limits and places the viewer before the very duration of their gaze on the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Le Bassin aux nymphéas, Beyeler triptych W1968 -1970 - Claude Monet
01

A continuity built through three panels

Colors and groups of water lilies visually cross both joints. Their position must be respected so that the triptych remains a single field rather than three juxtaposed tables.

02

Vertical reflections under a very free touch

Blues, greens and browns descend from the top, then are cut by horizontal marks. This meeting between reflection and surface continually shifts the depth.

03

A warm light without a sky represented

Peach pink, mauve and yellow occupy the upper part. These colors should remain mixed with blues and greens in order to evoke reflected light rather than an independent strip of sky.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Real photograph of Monet's triptych at the Fondation Beyeler by Roxaneweb, CC BY-SA 4.0
The triptych photographed at the Fondation BeyelerThis actual photograph, taken by Roxaneweb on March 13, 2017, shows the scale of the three panels in the room. It is used under CC BY-SA 4.0 license, with conversion to WebP and reduction without enlargement.
Blue, pink and green reflections in the center - detail of Le Bassin aux nymphéas, Beyeler triptych W1968 -1970 - Claude Monet
Blue, pink and green highlights in the centerThe detail shows how vertical gestures are traversed by short touches and water lilies. Roses and yellows remain integrated into the water instead of forming a separate area.

The full view measures 5,001 × 1,100 px. The actual photograph of the museum, taken by Roxaneweb in 2017 and published under CC BY-SA 4.0 license, is offered in 4,000 × 3,000 px; the detail measures 2,000 × 1,100 px; the detail measures 2,000 × 1,100 px; the detail measures 2,000 × 1,100 px. No files have been artificially enlarged.

Documented benchmarks

Three pieces of information specific to this work

This information concerns the triptych of the Fondation Beyeler, inventory 77.3, composed of the three Wildenstein panels 1968, 1969 and 1970.

Identification01

Fondation Beyeler 77.3, W1968 -1970

Painted around 1917 -1920, the triptych brings together three oils on canvas each measuring 200.7 × 301 cm. The whole reaches approximately nine meters wide and corresponds to the 1968, 1969 and 1970 numbers of the Wildenstein catalog.

Shopmarks02

Estampilles of the estate on the three panels

Each panel bears the Claude Monet estate stamp at the bottom right as well as another mark on the reverse, in the upper right. These marks accompany the work remaining in the studio after the painter's death.

Origin and presentation03

From Michel Monet to the Beyeler collection

The ensemble moved from Michel Monet to the Katia Granoff Gallery, then joined the Beyeler collection in 1977. It was loaned to the Kunstmuseum Basel from 1977 to 1980 then from 1988 to 1997, before becoming one of the major works of the Fondation Beyeler.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact triptych of the Fondation Beyeler, 77.3 and W1968 -1970
  • The panoramic proportions of the three panels of 200.7 × 301 cm
  • The continuity of patterns and colors across the two joints
  • The progression from deep blue to dark greens with no added horizon

Work sheet

Title The Water Lilies Basin, Beyeler triptych W1968 -1970
Artist Claude Monet (1840 -1926)
Date around 1917 -1920
Original technique Oil on canvas
Dimensions 3 panels of 200.7 × 301 cm, approximately 9 m in total
Orientation Panoramic
Conservation Fondation Beyeler, Riehen /Basel, Switzerland
Inventory 77.3 · Wildenstein 1968 -1970
Your reproduction Handmade oil painting on canvas
Consult the official notice - Fondation Beyeler

Presentation in your interior

A palette designed with the room

Deep blue, turquoise, bottle green, peach pink and purple give this panoramic reproduction an immersive presence. It requires a long, open wall, above a sofa or in a reception area, with homogeneous light and sober materials that allow the composition to breathe.

The Water Lilies Basin, Beyeler triptych W1968 -1970, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Water Lilies Basin, Beyeler triptych W1968 -1970 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

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You receive your canvas rolled, protected, and shipped with tracking.

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