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View of Vétheuil W696 - Claude Monet

View of Vétheuil W696 - Claude Monet

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View of Vétheuil W696 - Claude Monet

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View of Vétheuil W696 - Claude Monet
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View of Vétheuil W696 - Claude Monet

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Claude Monet · Vétheuil · 1881 · W696

View of Vétheuil W696hand painted reproduction

From a hillside south of the village, Vétheuil appears between a white cliff and a slope covered with yellow grass. The bluish church rises in the center, partially hidden by green trees, while the valley dissolves under summer light. Painted in 1881, this oil on canvas measuring 65 × 80.5 cm is kept at the Albertina under the number GE86DL and corresponds to Wildenstein 696.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
View of Vétheuil W696 - Claude Monet - full view
View of Vétheuil W696Claude Monet · 1881
1881Dating
65 × 80.5 cmDimensions of the original
Oil on canvasOriginal technique
GE86DL · Wildenstein 696Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The village observed through the slopes of the hillside

The composition plunges towards the church and the houses, then goes up towards the light cliff which blocks the bottom. On the right, a yellow embankment descends diagonally; in the center, a large dark tree hides part of the village and reinforces the impression of a high viewpoint.

The foreground combines yellow, green and small red touches. The church receives blue and purple, the cliffs white tinged with pink, green and azure. The saturation differences between the front and the distance make the air warm and bright.

Monet does not build Vétheuil like a front postcard: he lets the slopes, the trees and the heat of the air filter the view.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A depth organized by two diagonals

The cliff descends from the left while the yellow embankment rises from the right. Their meeting naturally directs the gaze towards the church.

02

A partially hidden village

Trees and grasses hide several buildings. This obstruction gives the sensation of a real observation from the hillside rather than a recomposed view.

03

A colorful intensity that decreases with distance

The yellows and greens are stronger in the foreground; they turn blue, pink and gray towards the cliff and the sky. The Albertina highlights this passage from near to far.

Reference image

Read this specific version

Only one exact image of W696 is used in the listing and as the sole Shopify media. The real WebP measures 2,200 × 1,756 px and retains the native definition available.

Composition01

Keep blue church in center

It must remain the village landmark without exceeding the colorful intensity of the foreground.

Color02

Preserve the big dark tree

Its mass connects the planes and prevents the clear cliff from flattening the entire composition.

Matter03

Keep the yellow slope to the right

Its warm touches are essential to capture the heat of summer and lead the eye towards Vétheuil.

Documented benchmarks

Three pieces of information specific to this work

The Albertina documents View of Vétheuil, oil on canvas from 1881, 65 × 80.5 cm, GE86DL inventory and Wildenstein 696 catalog.

Viewpoint01

A hillside located south of Vétheuil

Monet chose an elevated position towards the end of his stay in the village. The slopes thus frame the church and the valley instead of directly showing the Seine.

Atmosphere02

The warmth rendered by the intensity of the colors

The Albertina's instructions emphasize the transition from the vigorous yellows and greens of the foreground to the pastel tones of the distance, which makes the summer air sparkle.

Collection03

A work from the Batliner collection

The painting is numbered GE86DL and is part of the set presented by the Albertina in Vienna. It is listed as Wildenstein 696.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 696 version
  • The Vétheuil church in the center
  • The clear cliff on the left
  • The yellow embankment and the trees in the foreground

Work sheet

Title View of Vétheuil W696
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 65 × 80.5 cm
Orientation Horizontal
Conservation Albertina, Batliner collection, Vienna, Austria
Inventory GE86DL · Wildenstein 696
Your reproduction Handmade oil painting on canvas
Consult the official notice - Albertina · GE86DL

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, bedroom or office. A linen, straw yellow or gray green wall and a light wood frame extend its summer light.

View of Vétheuil W696, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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